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jessica-wolff
ParticipantI’ve heard that unwelcome sound in the middle of the night too.
jessica-wolff
ParticipantLOL! I’ve been nudging you not to let go of the cello, but I never expected this outcome! Now I think I have to urge you not to let go of the harp!
jessica-wolff
ParticipantSomething like the Lyon & Healy Chicago 40, maybe? Keep in mind, though, that if you’re done growing, you’ll have to get used to an orchestral-sized harp sooner or later. My sympathies–I’m just under 5-feet-nothing. Barbara’s advice about consulting your teacher and maybe renting from your teacher is a good one.
jessica-wolff
ParticipantI think Sylvia Woods’ arrangements are meant to accommodate folks who can’t afford the full 36 strings or levers on every string–you’ll notice that they’re mostly in C or G. Later on you’re likely to want that low C.
You might want to consider the R-Harps Merlin, which is compact but has 35 strings, including the B below that low C.
jessica-wolff
ParticipantHuapango as I know it is actually a genre, with a kind of oom-pah. oom,-pah-pah beat.
February 11, 2011 at 6:42 pm in reply to: How old were you when you started playing the harp? #166218jessica-wolff
ParticipantNitwit! Me, not you. Just realized you were replying to my earlier post. Look, for someone to want to hand his precious banjo down to you is a compliment, so accept it graciously and hope it’s a 5-string openback (my prejudices are showing). Take it out on the back porch and sing to the moon. If OTOH it’s a resonator banjo, it’s best used for playing bluegrass and the volume approaches that of a tomcat singing to the local ladies.
February 11, 2011 at 6:33 pm in reply to: How old were you when you started playing the harp? #166217jessica-wolff
ParticipantI play banjo too, but I play different sorts of things (mostly) on the banjo than on the harp. You may lose focus for a while initially while you are getting the banjo basics down, but eventually you should catch up. Keep in mind that guitars and banjos are a heckuva lot easier to transport than most harps, which may be a factor when you just want to take an instrument along to make music in an informal context.
jessica-wolff
ParticipantLove that kid!!
jessica-wolff
ParticipantThanks!
jessica-wolff
ParticipantCarl, if I had the money, I’d jump at it!
jessica-wolff
ParticipantWouldn’t recommend mine. It’s a bummer in the highest octave.
jessica-wolff
ParticipantYou sent me surfing the web for Al Hibbler, whom I associate most with “Unchained Melody.” Found out that he had been with Duke Ellington’s band. BTW one doesn’t hear nearly enough of Duke Ellington on the harp.
jessica-wolff
ParticipantEvery time I cast eyes on the harmonic curve of my 1805/1807 single-action Erard, it lifts my heart. I wish I had those thousands of dollars. Then I go and play my elderly but playable old Troubadour, for which I have affection but not the love I have for the Erard..
jessica-wolff
ParticipantJust caught up with this one, being without YouTube for a while. Bravo, Bernhard!
jessica-wolff
ParticipantKare, that’s encouraging. I have kid-size hands and short fingers too. Though from your description of that rolling action, I wonder whether you aren’t throwing your timing off.
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