Todayโs tool
Creating natural phrasing
Assignment: Mark all phrase beginnings and ends in your music, and practice with exaggerated shaping.
Think of musical phrases like spoken sentencesโthey need to breathe, build toward important words, and resolve at the end. Today, identify the phrasing in your music. Mark beginnings and endings, then identify the โpeakโ or most important moment in each phrase. Practice shaping each phrase to build toward this peak. Literally breathe at phrase beginnings and endings as if you were singing. Think of it this way: without phrasing, music sounds like a grocery list read in monotone; with it, music sounds like a beautiful conversation.
Learn more:

Sounds Good, by Anne Sullivan
Learn how to use phrasing to craft your tone In this feature article from Harp Column magazine.

Sound production through BachโLargo, with Bridget Kibbey
Bridget Kibbey teaches how to create phrasing through Bachโs โLargoโ from Harpsichord concerto in F Minor in this lesson at Harp Column Academy.
Music ideas:

Basically Bach, by Rhett Barnwell
Barnwell has collected some of J. S. Bachโs most popular works and arranged them for solo lever or pedal harp. This collection will give you plenty of material to work on creating natural phrasing.


