Saul Davis Zlatkovski

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Viewing 15 posts - 991 through 1,005 (of 2,811 total)
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  • in reply to: Anyone ever hear of or participate with . . . #104976

    They don’t have a harp program, darn it.

    in reply to: BEST TEACHER #104995

    Her master class at the Harp Festival of Philadelphia was excellent!

    in reply to: 2011 Harp Cars #104070

    I saw someone driving a Ford Flex and got very excited. At last, a real station wagon!

    in reply to: 2011 Harp Cars #104069

    Actually, that’s not true about the Prius, according to experience.

    in reply to: So why are black strings blue ? !! #104986

    Some strings are black but fade to blue.

    in reply to: Jokes #104880

    We may get a run in our nylons, but at least not a ladder.

    in reply to: Renting Harps in Foreign Countries #147013

    I would take along a good lever harp for practice. There are plenty of pieces you could work on.

    in reply to: Two harp teachers at the same time? #83060

    Harp seems to be different from flute or voice, where multiple teachers is the norm for some reason. Two different harp techniques at the same time are not compatible. It is hard enough to master one. If the one is not sufficient, then you should learn a different approach.

    in reply to: Two harp teachers at the same time? #83059

    I don’t understand the numbers here. One teacher is 1,000e per lesson and the other is 164e? I would like to get 1,000e per lesson.

    But seriously, you are being self-serving and disrespectful of your teachers.

    in reply to: Recording Harp #147143

    I firmly believe that a harp should be recorded in a warm, lively room with a high ceiling, and a microphone placed in the room, not near the harp.

    in reply to: Durand Chaconne Metronome Marking #147196

    That is a professional’s tempo, I’d say. You can hear a recording of Salzedo playing it online. He does do it that fast. It’s a lively piece. It’s not all that idiomatic to the harp, but if you get your fingers closing well and fast, it is doable at quite a pace. It’s meant to be showy.

    in reply to: Water related pieces #146671

    And please don’t forget that soggy old chestnut, “The Mermaid’s Song on the Banks of the River at the Spring in the Forest while Bathing” by Jan Fcedekl, the well-known Fredonian harp master who was Harpo Marx’s teacher in Animal Crackers.

    in reply to: Mendelssohn Repertoire #105158

    It was recently published and is easily available. It is a nice piece.

    Salzedo transcribed the First Song without Words, and it is difficult, but very rewarding to perform. A few others are playable, and he also transcribed the Spring Song. I believe Renie transcribed a couple of them as well.

    in reply to: Renie’s Legende-Pedal NIGHTMARE #156923

    I don’t know this well, but I would say, play something with much harder pedaling, and it will seem easier. Renie had to have a way to do it, so keep trying. Sometimes it is a question of timing, moving a pedal slightly early or late.

    in reply to: Lyon & Healy – Repair Service After My Harp “Exploded” #71253

    I think they gave you a fairly low price to repair it. They are not responsible after the warranty, as you know. It is the extra price one pays for buying a cheaper model. You could skip the regulating and try to do it yourself, or have someone local do it, but it would cost about the same.

    You got ten years use, and moved it around, so it cost you about $100 a month, if you had been renting it, or somethign like that. It is time for a bigger harp anyway, so take the trade-in, or buy a second-hand harp. You should get a 23.

Viewing 15 posts - 991 through 1,005 (of 2,811 total)