Saul Davis Zlatkovski

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Viewing 15 posts - 2,371 through 2,385 (of 2,811 total)
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  • in reply to: How do I know if a chord sounds right? #161604

    To hear it perfectly balanced, play each note with your second fingers and then try to match it.

    in reply to: do you like teh beatles? #110260

    No.

    in reply to: Singapore #151898

    I can vouch for Yu-Hsin Huang, who studied in Taiwan and for many years in Boston with Lucile Lawrence. You can watch her play on YouTube.

    in reply to: Morceaux de Concours #85812

    Yes, but we are not there, unless Isabelle Moretti will look it up and tell us.

    in reply to: Judith Liber #86153

    I have reviewed it for American String Teacher. It has much of interest in it. It is not perhaps a complete total method, but a useful supplement or part of training.

    in reply to: Musical Terrorism #102833

    I think or hope that

    in reply to: Ears? #86320

    That’s another story.

    in reply to: How long should one practice #86214

    Two hours is a good minimum. The more, the better, up to five or six hours most days. What sets the motor memory is the number of repetitions of each small group of notes. You must do at least ten repetitions for it to set, preferably ten good ones without errors. Seven is the minimum, but three more cement it. This has been proven with many people.

    in reply to: Flute and harp repertoire ideas. #149495

    I see that my repertoire secrets are not so secret after all. Try the Sonata by Marjan Mozetich.

    in reply to: Harp and Violin #151334

    There are at least four sonatas by Spohr for violin and harp, and they tend to be harp-killers. Krumpholtz wrote six. Boccherini may have written six or they may have been published as harp. You can do baroque sonatas with continuo. You can do my Chassidic Suite for violin and harp. There are some pieces by Roman Ryterband. Cavatina by Henk Badings. Some pieces are disguised as flute and harp music, some as violin and piano. You can do the Lark Ascending by Vaughan-Williams from the piano accompaniment.

    in reply to: Encounters with Famous people #103096

    Or, like so many movie stars, he was standing on a box you didn’t notice.

    in reply to: Divided Interests, Divided Heart? #86270

    I lean toward emphasizing music, if only because so much of it is taught and has to be learned in sequence, and much by a certain age, and if one ever wants to compete for anything, it is all age restricted, sadly.

    in reply to: Harpist go to heaven first #110281

    Does that mean we are accompanied by dogs?

    in reply to: Who is John Doe, vote now! #109963

    By the way, of all people, Jane Doe showed up at the last concert of the Harp Music Festival of Philadelphia, looking for John, with all the children and dogs in tow. She swore she would come back each year until she found him. By the way, she appeared to be very religious, judging by the wig and long-sleeved dress she wore. She might have been Mennonite or Jewish, or something else altogether. She was about 5’2″ in height, might have weighed about 130 lbs. or so, and had bitten fingernails. She didn’t seem to be carrying any weapons except a rolling pin with bits of pie crust dough clinging to it. She seemed pretty rational, sort of, but when I talked to her face-to-face, her eyes sort of kept sliding sideways. Definitely a little odd.

    in reply to: Who is John Doe, vote now! #109962

    Is he perhaps a harp builder in Chicago for whom English is not a first language? That would explain all the insider gossip.

Viewing 15 posts - 2,371 through 2,385 (of 2,811 total)