[Mel Sandberg]

Further to my previous post, if anybody cares to read my post about Bisbigliando in Professional Harpists – I can confirm that changing the bisbigliando to my suggestion (there), transforms this piece into something that my family didn’t even recognise.

[Mel Sandberg]

Laurie, I don’t have 1st hand experience of Chinese harps, but I have 1st hand experience of everything else that comes from China, and if I had any choice, I would steer clear.

[Mel Sandberg]

Thanks Tacye, I thought it might be +/- Gr 6-ish…., although I could happily put it into Grade 7.

[Mel Sandberg]

For everybody who helped, thanks a lot.

[Mel Sandberg]

Louise, if this had to happen to me, I would not survive it.

[Mel Sandberg]

Hi Mel

Well done – very best of luck.

[Mel Sandberg]

Thanks for your insightful explanations Ivan.

[Mel Sandberg]

Thanks for valuable advice.

[Mel Sandberg]

Sid, thanks for your advice.

[Mel Sandberg]

Harpists do it in a heavenly way

Harpists do it with strings attached

Harpists do it with tuning forks

Pianos do it fully dressed, Harps do it in the nude

Harpists do it with their hands AND feet…..

[Mel Sandberg]

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I also believe in the Pozzoli Etudes of Moderate Difficulty.

[Mel Sandberg]

On the same topic, here is something that I have always wondered about: can somebody with perfect pitch tune the harp perfectly by ear, without any trouble?

[Mel Sandberg]

Thank you very much Elizabeth.

[Mel Sandberg]

Hi David – while

[Mel Sandberg]

Dear Elizabeth.

[Author]

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