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- This topic has 33 replies, 14 voices, and was last updated 16 years, 11 months ago by
Saul Davis Zlatkovski.
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March 29, 2009 at 3:34 am #151548
unknown-user
ParticipantHi all,
I’m looking to order a version of Handel’s Passacaglia online but I can’t seem to find an edition that my teacher knows. Can anyone find a edition? Or can anyone validate that the Magistretti edition on harp.com is a respectable edition?
~Sam
March 29, 2009 at 6:28 pm #151549Misty Harrison
ParticipantThe one I learned when I was a student was edited by Tiny Beon and harp.com sells it.
March 29, 2009 at 6:32 pm #151550barbara-brundage
ParticipantThe Magistretti is a big ornate version. The standard pedal harp editions today are the Tiny Beon or the one by Yolanda Kondonassis, which is in her collection. You could also play the real keyboard version, which is readily available as part of the Handel Keyboard Suite no. 7 in g minor, although harpists seem to shun it for some reason.
March 29, 2009 at 6:33 pm #151551barbara-brundage
ParticipantIncidentally, Sam, if you search for “passacaille” rather than “passacaglia” you’ll get more results.
March 29, 2009 at 11:04 pm #151552mr-s
MemberHi Sam , i play the version by Alphonse Leduc Paris, i didnt play or know about Magistretti version…….
March 30, 2009 at 1:26 am #151553Saul Davis Zlatkovski
ParticipantWhat isn’t clear in the urtext edition I have is whether the sections have repeats or not. They have doublebarlines, but no repeat symbols. However, I think the characteristic thing to do is to repeat each variation either as an echo or with (differing) ornamentation. The Tiny Beon has been the standard edition for years despite errors. I recall they were corrected somewhere, perhaps in a Journal article. I have the Magistretti and it is of interest, but I would get the original unless you are learning it for a competition.
March 30, 2009 at 7:38 am #151554Mel Sandberg
ParticipantGood thing
April 7, 2009 at 3:45 pm #151555Han Hsieh
ParticipantAny one know which harp version was first published?
April 8, 2009 at 2:57 am #151556Saul Davis Zlatkovski
ParticipantProbably the Beon. Wait a minim, can you translate that into Americanese? You’re giving me the hemi-demi-semiquavers!
April 8, 2009 at 3:41 pm #151557barbara-brundage
ParticipantMy own guess would be the Magistretti and that Beon used that as the basis for his/her version, but it’s hard to know, since there’s not much biographical info available for either of them these days.
April 8, 2009 at 5:48 pm #151558Saul Davis Zlatkovski
ParticipantWho was Tiny Beon?
April 8, 2009 at 5:55 pm #151559barbara-brundage
ParticipantThe only information I’ve ever been able to find is that she was Belgian. I think Jane Weidensaul once told me Beon was female, and an orchestral harpist, but I sure wouldn’t swear to those last two details.
Anybody else know anything?
April 8, 2009 at 7:01 pm #151560paul-wren
ParticipantI have always wondered who Tiny was. I was told by my teacher that Tiny was a female. But that was it.
April 8, 2009 at 7:10 pm #151561paul-wren
ParticipantAlso this might help to see the keyboard version.
http://imslp.info/files/imglnks/usimg/5/50/IMSLP12247-Handel_-_Passacaglia__alt_.pdf
April 8, 2009 at 7:13 pm #151562barbara-brundage
ParticipantFWIW, some of the chords in that version are fuller than in the urtext editions I’ve looked at.
BTW, re Beon, although the Passacaille is her only transcription that’s still available/performed, I have some very old sheet music with five or six other Beon transcriptions (Mozart and such) listed, so she must have been fairly prolific in her day.
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