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Handel Passacalgia

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Viewing 15 posts - 1 through 15 (of 34 total)
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  • #151548
    unknown-user
    Participant

    Hi all,

    I’m looking to order a version of Handel’s Passacaglia online but I can’t seem to find an edition that my teacher knows. Can anyone find a edition? Or can anyone validate that the Magistretti edition on harp.com is a respectable edition?

    ~Sam

    #151549
    Misty Harrison
    Participant

    The one I learned when I was a student was edited by Tiny Beon and harp.com sells it.

    #151550
    barbara-brundage
    Participant

    The Magistretti is a big ornate version. The standard pedal harp editions today are the Tiny Beon or the one by Yolanda Kondonassis, which is in her collection. You could also play the real keyboard version, which is readily available as part of the Handel Keyboard Suite no. 7 in g minor, although harpists seem to shun it for some reason.

    #151551
    barbara-brundage
    Participant

    Incidentally, Sam, if you search for “passacaille” rather than “passacaglia” you’ll get more results.

    #151552
    mr-s
    Member

    Hi Sam , i play the version by Alphonse Leduc Paris, i didnt play or know about Magistretti version…….

    #151553

    What isn’t clear in the urtext edition I have is whether the sections have repeats or not. They have doublebarlines, but no repeat symbols. However, I think the characteristic thing to do is to repeat each variation either as an echo or with (differing) ornamentation. The Tiny Beon has been the standard edition for years despite errors. I recall they were corrected somewhere, perhaps in a Journal article. I have the Magistretti and it is of interest, but I would get the original unless you are learning it for a competition.

    #151554
    Mel Sandberg
    Participant

    Good thing

    #151555
    Han Hsieh
    Participant

    Any one know which harp version was first published?

    #151556

    Probably the Beon. Wait a minim, can you translate that into Americanese? You’re giving me the hemi-demi-semiquavers!

    #151557
    barbara-brundage
    Participant

    My own guess would be the Magistretti and that Beon used that as the basis for his/her version, but it’s hard to know, since there’s not much biographical info available for either of them these days.

    #151558

    Who was Tiny Beon?

    #151559
    barbara-brundage
    Participant

    The only information I’ve ever been able to find is that she was Belgian. I think Jane Weidensaul once told me Beon was female, and an orchestral harpist, but I sure wouldn’t swear to those last two details.

    Anybody else know anything?

    #151560
    paul-wren
    Participant

    I have always wondered who Tiny was. I was told by my teacher that Tiny was a female. But that was it.

    #151561
    paul-wren
    Participant
    #151562
    barbara-brundage
    Participant

    FWIW, some of the chords in that version are fuller than in the urtext editions I’ve looked at.

    BTW, re Beon, although the Passacaille is her only transcription that’s still available/performed, I have some very old sheet music with five or six other Beon transcriptions (Mozart and such) listed, so she must have been fairly prolific in her day.

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