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Mel SandbergParticipant
Thank you so much!
Mel SandbergParticipantWow, this is almost unbelievable.
Mel SandbergParticipantThis is quite a succinct reply – I like it.
Mel SandbergParticipantMy achy breaky harp
Mel SandbergParticipantThank you very much Kreig – you just made my year.
Mel SandbergParticipantOr Moses and Aaron……….
Mel SandbergParticipantPatricia, I like your reply.
Mel SandbergParticipantWhy would the Intermezzo be right at the end after all the previous hell?
Mel SandbergParticipantI also only play from memory. I memorise everything I learn first, and then practise the fluency and speed in from memory afterwards.
Mel SandbergParticipantThe conductor was ranting at the side-drum player who did something wrong and finished off with something like – “well no wonder, whenever a musician can’t measure up to scratch, they take his instrument away, give him 2 sticks and put him at the back of the orchestra”.
Mel SandbergParticipantThe best solution was provided by Tchaikovsky:
Mel SandbergParticipantIn my experience, the worst I ever encounterd in terms of difficulty vs. inaudibility was in the Overture to the Flying Dutchmann of Wagner.
Mel SandbergParticipantJennifer, just thought about it – what did you do with page turns?
Mel SandbergParticipantCarl, thanks once again for taking the time and effort to reply with such a clear explanation.
Mel SandbergParticipantCarl, thanks for this.
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