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unknown-user
ParticipantHey Zach,
I played this piece when I was your age! (I also started posting on this forum at your age)
unknown-user
ParticipantWow!
unknown-user
ParticipantHi Gorman,
With French music, especially Renie, the few chords that are marked to be rolled are to be especially rolled. Often they are the culmination of a phrase. Tasteful rolling elsewhere is standard.
Sam
unknown-user
ParticipantHi Mr. S –
Well, bravo to you for digging into the tough repertoire!
unknown-user
ParticipantYes, I have been involved in some dicey last minute deals over the years also – and I really understand that you don’t want to leave a bride high and dry if it’s due to someone else who has dropped the ball – I would call the venue where the wedding is going to take place and ask if they have been paid and if they know that other vendors have been paid – or not paid as the case may be – that will give you a clue whether it’s just your part or whether the whole thing is totally disorganized – if they have been paid, you could ask who they dealt with and go to that person and explain the situation –
good luck
Johnunknown-user
ParticipantStella Castellucci has great arrangements of those era songs –
unknown-user
ParticipantActually, that sounds really interesting to me – I’d like to see a copy of it too – I wonder if there would be a way to have it posted here – thanks –
Johnunknown-user
ParticipantThe last time a touring harpist needed an electric harp here in San Antonio, the closest one was Louise Trotters in Houston – she brought it the 200 miles to San Antonio – seems that around here it can even get complicated just getting an acoustic harp provided for a visiting performer –
As you know, using an electric harp is not just the harp itself, but also all the associated electronics/amplifiers/speakers – various setups in various performance venues can all sound different especially if you have a “signature sound” that you need to have consistently – on the other hand if you tour outside the US with your own equipment, you will be dealing with any number of different power voltages and CPS – England and I guess most all of Europe is 220/50cps and other places have other combinations
Greg Buchanan and Linda Rice both tour with electric harps and all their own sound gear – Greg has a “roadie”, and Linda’s husband is her roadie – they also act as the sound engineers during a performance – Deborah Henson Conant also tours with her electric lever harp but I don’t know how extensive her sound system is –
So, before you do anything, I would suggest a very in depth visit with all three of these performers concerning what they do, how they do it, and what kind of problems they deal with – also, what is your projected audience and how will you advertise your performance in each of the distant places you will go to –
I am also thinking that if you want to travel, a first time out experience that would let you experience the travel with a minimum of hassle with harp, amps and other equipment would be to see if you could get booked on a cruise ship that either originates somewhere close to where you live or has a stop in a port close to you –
Sounds like lots of planning and prep work but do your homework and have fun –
Johnunknown-user
ParticipantThe Rachmaninoff choral “Ave Maria” – play the piano rehearsal part on the harp as written – there are no lever changes – it is quite lovely
unknown-user
ParticipantJust as a note-
If you tie it the way Sylvia Woods does in the above video and if the string you’re changing is thin enough, you can do a third, large loop and put the entire knot through this third loop. The anchor will never fall out this way!
~Sam
unknown-user
ParticipantMy teacher, Ina Zdorovetchi, is planning on making a harp and cello CD with cellist Holgen Gjoni. I’ve seen them
unknown-user
ParticipantI find hearing my teacher play invaluable as I am an aural learner. She recognizes this so if I´m not getting something she´ll play for me. I have to agree, however, with the trap of not paying enough attention to the actual music. I think my teacher makes a good compromise by playing something that I´m not playing that demonstrates the same feeling or technique. This is, however, often because she would rather play something she knows well rather than fudge the notes on the piece I´m playing, but the result is the same nonetheless.
Sam
unknown-user
ParticipantHola Rafael,
Lo busque en Google pero no pude encontrar algo de como afinarla – lo siento. Nunca he oido de esta “arpa llanera” – sabes si hay otro nombre para ella? Si hay otro nombre, possiblemente te podre ayudar mas.
Sam
unknown-user
ParticipantHola Rafael,
Lo busque en Google pero no pude encontrar algo de como afinarla – lo siento. Nunca he oido de esta “arpa llanera” – sabes si hay otro nombre para ella? Si hay otro nombre, possiblemente te podre ayudar mas.
Sam
unknown-user
ParticipantHola Rafael,
Lo busque en Google pero no pude encontrar algo de como afinarla – lo siento. Nunca he oido de esta “arpa llanera” – sabes si hay otro nombre para ella? Si hay otro nombre, possiblemente te podre ayudar mas.
Sam
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