Saul Davis Zlatkovski

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Viewing 15 posts - 2,611 through 2,625 (of 2,811 total)
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  • in reply to: Who is John Doe, vote now! #109946

    I think John Doe is Mickey D.

    in reply to: Manly Harps #102215

    Manly Harps, didn’t he used to cut my hair?

    I agree on the Salzedo model, but I think the 23 and 3 are also manly, even the 26 and 11.

    in reply to: Who is John Doe, vote now! #109933

    Hmm, an interesting deduction. It would explain somethings. He did mention getting a teaching position in the Damascus Conservatory, on a dirty harp, maybe it was smelly, too. That doesn’t make it him, but I am intrigued by your theory.

    in reply to: Which harp for early music? #164398

    I have used my troubador harp. They were designed to look both medieval and modern, I think.

    in reply to: Rocking Harp #87656

    I’ve seen quite a few professionals or conservatory students who do this, and think it looks expressive, but I also find it makes me feel kind of sick. I’m not sure how to stop it except to spend a lesson holding the harp still. She can move all she wants if the harp stays still. She ought to realize how it feels then. Does she have it resting on her knees? That may be the problem. If it is on the knees and not primarily on the shoulder, then you can move your body without moving the harp.

    in reply to: I Teach Harp #87675

    Well, it goes without saying, if you don’t spend any time practicing, you can spend all that time promoting yourself.

    in reply to: When a Student Leaves #87630

    And it sends them a message, too, to trim their nails!

    in reply to: Carbon Fiber Concert Harps….Please soon! #68393

    Yes, I know, it is contradictory, but it is how I was taught to string, and I make them sound as unplasticky as I can. If I could afford gut strings and could find ones with as clear and liquid harmonics, I would use them. Are Concedos different in tone quality? But, then, plastics are natural, in that they are made of petroleum products.

    in reply to: Playing music written for other instruments #87692

    A Byrd in the hand is worth about one page of Purcell. It is very tricky to transcribe this music. Some of it works well, a lot is far too dense with counterpoint and moving bass lines. The technique of composing is called division, which means taking slow themes and putting twice as many notes between them. The most fun pieces are ones like My Ladey Hunsdowne’s Dump.

    in reply to: Where do the bad harp go? #73710

    I am willing to host such a “harmonic convergence”. I think Hugh Brock could clear this up by tracing the poster’s computer address.

    in reply to: Carbon Fiber Concert Harps….Please soon! #68390

    Whereever they come from, they are a type of plastic, all right. My friend’s husband works in that field. And plastics give off fumes when fresh.

    in reply to: Who is John Doe, vote now! #109916

    I suspect a guy who is really into harps and how they are made, who rarely posts here, but wanted to be able to dump off his gossip overload. Still a mystery.

    in reply to: your opinion… #110523

    Your photo on the home page is a bit dark, it is a little hard to see you, can you lighten the contrast?

    in reply to: Playing music written for other instruments #87686

    It is very likely in that book.

    in reply to: Playing music written for other instruments #87684

    P.S., I have sketched out transcriptions of quite a few of them, if you are willing to wait for them. Grandjany also published a small number of them. I do not recommend the King’s Hunt, though, I do not think it works well at all for harp.

Viewing 15 posts - 2,611 through 2,625 (of 2,811 total)