[Alison]

If I had to take a call on this, I’d say withdraw the piece which is unprepared and focus on the ones which

[Alison]

Hi Lori, I just found my copy, there’s 22 pages, a lot to sort out. I don’t remember much past the first page, so will see if I can get it scanned tomorrow.

[Alison]

Dare I say it but missing out the repeated theme (1st tempo) 3 pages from the end is an economy I am affording myself whilst I learn this. This is my

[Alison]

There IS a hard and fast rule, and it has very little to do with tempo !!

Look at the time signature like a fraction.

[Alison]

A pity you weren’t in London last night, it was a real treat to see and listen to the effects with the first production model (in black) , Jakez and Sioned playing and Domonic alongside in the composer/technology seat.

[Alison]

The above composition has recently been published by Faber Music in A4 size, with the

[Alison]

I have always looked at hearses with that idea in mind, now I know I’m not entirely bonkers… and there is a funeral directors at the bottom of my hill.

[Alison]

John, I have emailed you to see if you’d like me to broadcast this request to all the UK harpists.

[Alison]

I see what you mean now, I have just received the Salzedo version in the post from Cathy White so that throws light on the whole thread of this discussion !

[Alison]

I see what you mean now, I have just received the Salzedo version in the post from Cathy White so that throws light on the whole thread of this discussion !

[Alison]

I see what you mean now, I have just received the Salzedo version in the post from Cathy White so that throws light on the whole thread of this discussion !

[Alison]

I have always loved Zabeleta’s.

[Alison]

I have always loved Zabeleta’s.

[Alison]

I have always loved Zabeleta’s.

[Alison]

Saul, I have worked through your solution too and I think that if you played Asharp instead of Bflat (ignoring Renie’s Bflat pedal marking), the RH hand would

[Author]

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