Alison

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  • in reply to: Tuning to A = 458 to match organ – advice #500721
    Alison
    Participant

    Balfour, but there’s always Bb major, obviously you haven’t read my ‘Strange but True’ story in the magazine…!!

    in reply to: Transport covers #439799
    Alison
    Participant

    Like tailored clothes, covers are made to fit specific harps and you will find that even for harps of a comparable size, the shape of the triangle varies significantly between manufacturers, so when you hang a cover from one make over another you find how much that triangle differs !!

    in reply to: Parish-Alvars' Serenade for Harp – Opus 83 #429981
    Alison
    Participant

    It seems to me that the original has been available all along in the Billaudot edition of 1975, which didn’t cost much and so now I have a clean copy. The one I worked on is quite heavily marked up by myself, but of course one gets used to a certain layout & page turns. I love to revisit these tricky pieces to keep improving them and notice the markings.

    in reply to: 2nd harp parts #394435
    Alison
    Participant

    Hi Sylvia et al, I need to encourage a pupil to start playing in orchestra with me. She’s a good reader but not a ‘quick’ player, so can you think of parts in short pieces where the 2nd harp has a reasonable amount of accessible playing, rather than hardly anything at all, otherwise they’ll be counting during all of my 1st part bars as well, so not Debussy’s l’apres midi d’un faun, possibly something more like Mahler but not such a long work… Thanks Alison

    in reply to: Pedal Harp Rental in Chicago Area (for holidays) #391284
    Alison
    Participant

    You might as well call Lyon and Healy, so be quick before they close for the holidays !!

    Ogden

    in reply to: Salvi Base Cover #389634
    Alison
    Participant

    Then try an Aoyama too, it’ll be wide enough.

    in reply to: Pedal setting for glissando #387383
    Alison
    Participant

    That’s not what I meant Balfour ! With the lever harp tuned in Eb simply put levers D and G on so that the D# matches Eb and the G# matches Ab enharmonically, for a perfect Ab pentatonic scale and a delightful sound for junior pupils to discover glissandos..

    in reply to: Pedal setting for glissando #375437
    Alison
    Participant

    and you can set the Ab pentatonic on a lever harp too, if the rest is playable, could save lugging a pedal harp……

    in reply to: Harp Sighting #375435
    Alison
    Participant

    I just spotted one about an hour into a 1950’s film ‘All about Eve’ starring Bette Davis, it was onstage in the limelight but seemed not to be used or even referred to in the dialogue.

    in reply to: Parish-Alvars' Serenade for Harp – Opus 83 #351390
    Alison
    Participant

    Well, I had clean forgotten about this discussion and having just come back to this piece after a short pause of 9 years (!) I see what Carl is referring to, as the entire line, 4 systems before the end has been omitted, probably by the publishers as I can’t see why David would have removed this. So this is simply the last line on the penultimate page of the Leipzig Fr. Kistner edition which can be found on imslp.
    David’s page 19 and the Kistner page 9 are identical, but go back one page and see what’s missing at the bottom.
    Thank goodness for YouTube.!
    Hope all’s well

    • This reply was modified 2 years ago by Alison.
    • This reply was modified 2 years ago by Alison.
    in reply to: Bernard Andres information please #349883
    Alison
    Participant

    I would say that Bernard Andres is Belgian…

    in reply to: It’s proving impossible to load a response to #334675
    Alison
    Participant

    Perhaps there is a country code conflict here, since Balfour has managed to write a response to Grace Wick’s posting.

    in reply to: best hand-held tuners #331904
    Alison
    Participant

    Hi everybody,
    I think you’ll find that quote was Mendelssohn’s who disliked the harp ! I also grew up with the tuning fork and actually once I have fixed a key note in the 3rd Octave, I am quite capable of tuning by ear, it’s quicker, it keeps my ear trained and is more enjoyable.

    in reply to: 27 never-before-published pieces by Marcel Tournier! #306903
    Alison
    Participant

    I am certainly interested as I keep a separate box file of Tournier works and the “10 pieces” is definitely on my order list, as it will also be handy for teaching, besides which learning a new one is always engaging and handy to have in one’s repertoire. Alison

    in reply to: Tuning to Eflat #304579
    Alison
    Participant

    Well yes that is how the levers work and better back a little than to the side, if you are playing around the mid-height of each string the effect should be less noticeable.

Viewing 15 posts - 1 through 15 (of 489 total)