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wow, great advice. and haha, yep I definitely know about loosing the feeling in my hands – I forgot to list I also play the cajon aka box drum! I also scoop ice cream as my part time job so I can say I’ve got some tough hands haha! Thank goodness for being able to bandage my hands when I play my cajon as well…
Thanks for the advice and websites everyone! Every little piece is great. I’d love anything else anyone has to say. Thanks for welcoming me here!
hm, I do not have a teacher yet and this seems to be a good idea. I don’t know of any teachers in my area so I’ll have to do some research, I’m familiar with music lessons though, seven years on Clarinet haha! The lady I spoke with at my local music store actually recommended I stay with levers to begin with. Thanks for your advice!
Thank you for your offer Miss Janice! I’ll keep your harp in mind, though ones I was looking at were in the $1,000-$2,000 range as I am a college student and that kind of thing seems to drain all the money out of us, haha…But again, thank you!
Hello Dears,
I read the messages… and… If you want I can give you my point of view for this electric harps…
For me the best the the Blue Light, I played a Silhouette from Lyon&Healy, is a good harp but is more heavy and the sound is more “classical” is not brillant and celtic like the Camac Electric Baby Blue or other from the “electric family” harps of Camac. And I played a Baby Blue also in Brasil… and is good but the Baby Blue is heavy… MY FAVOURITE IS THE BLUE LIGHT! 😉
We just returned a new L&H Odgen harp due to excessive string breakage. In the 11 weeks we had it, it broke 10 strings across the midrange and high octaves. We did nothing unusual with it and it was properly stored. All the strings broke while it was sitting there not being used. They all broke at the bottom near the sound board.
I think it is a manufacturing or materials defect. Too bad because otherwise it seemed to be a very nice harp, but it was just getting to be too much.
Hello Catherine Rogers,
I would be interested in LINDA KAISER’s email address. It is not complete in the post. Do you have the rest of the address?
Seems to me that Jack Nebergal’s blue and gold LH 3 was used in orchestras in San Francisco some years back – I think I heard the SF opera had it for a while and then Michael Rado had it – it is cobalt blue plus a ton of gold – not quite the same shade of electric blue as the Camacs –
I have loaned my blue and gold VenusYes, I have been meaning to mention it – being a night person, I like to log on at 2 or 3 in the morning and it is consistently down and has been for the past couple months every time I try –
Julie Hi!
I’m also looking for this score & wondered if you managed to find it or if you did transcribe it?
I bought the soundtrack on LP when it first came out & wore it out! I’d love to be able to play some of it.
Lucy <
