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  • in reply to: Teaching Concerti #88091
    unknown-user
    Participant

    regarding the Camilleri, I think its clear to you now lately : )

    in reply to: Harp Teacher Malaysia? #88104
    unknown-user
    Participant

    If I remember right, the Malaysian Philarmonic Orchestra, in Kuala Lampur have two harpists… Sebastien Horrer and Tan Keng Hong, principal and co respectively… don’t know their level or anything, or if they do private tuition, which I assume they do.

    unknown-user
    Participant

    I have seen

    in reply to: Are Orchestral Harpists the Best Teachers? #88100
    unknown-user
    Participant

    Yes, it is a complicated issue – but

    in reply to: Are Orchestral Harpists the Best Teachers? #88096
    unknown-user
    Participant

    Well, I can only relate to this from my own experience, when as a young student I first learnt from a harpist that was a principal with a major orchestra. There is something very inspiring about learning from someone that performs in an orchestra, and being able to go and hear them play, follow the score, and talk about their experiences as a performer – and as a performer that performs all the time.

    Of course, soloists too, do hold alot of the better teaching positions – and they too are performing and recording all the time. Which is wonderful for their pupils.

    unknown-user
    Participant

    I stand corrected!

    in reply to: Glinka Variations on a Theme of Mozart #82611
    unknown-user
    Participant

    Hello Tacye,

    Thanks for that clarification, sounds like there are different editions. I should have realised when Elizabeth said that her version was marked “sons harmoniques” – as mine is just notated with the circle for harmonics over the note.

    Sorry if I added to any confusion – I must say that i sometimes find it hard to describe well what I’m seeing on the page.

    Sent you some clarification via your email Tacye.

    Regards,

    Rosemary.

    unknown-user
    Participant

    Yes, life would be alot easier if the music were edited to indicate what you play exactly – and if it were

    in reply to: Glinka Variations on a Theme of Mozart #82609
    unknown-user
    Participant

    Hello Tayce,

    Thanks for that info. I learnt the work with the harmonics written where you make the note, not where they sound – so that is interesting.

    Maybe I have an unusual edition (Sikorski, Hamburg 1972), but if the harmonics are written where they sound and made an octave lower on the string, this would create problems in the fourth bar – as you would be making the

    in reply to: Harp Dog #162290
    unknown-user
    Participant

    One of my cat likes to go belly up in front of my harp while I play and the other likes to put her teeth on a vibrating string while sitting on my lap. Obviously not a lot of serious practice gets done with that one around….Lol!

    in reply to: ? for the young from the not so young #166700
    unknown-user
    Participant

    Where there’s a will there’s a way…

    in reply to: Inviting the last living connection to Marcel Tournier Music #88121
    unknown-user
    Participant

    Of course not! thats why I’m asking to all the Harp comunity for ideas in regard of date, time during the calender year! Thank you!

    Santiago Di Morales

    in reply to: Where are you? #110350
    unknown-user
    Participant

    I’m in Brisbane, Australia.

    in reply to: Where are you? #110349
    unknown-user
    Participant

    Malta!wondeful!
    So we are neighbours!!!

    in reply to: Harmonics #88112
    unknown-user
    Participant

    On the same point… do you agree that harmonics should be thought in scales???

Viewing 15 posts - 3,316 through 3,330 (of 5,570 total)