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mr-s
MemberHi Julietta i hope one day can find a students like that,as i am suffering here in finding a local students without instruments, if you started it tell me the result please.
mr-s
Memberstill well until now,thank you, sad for me that i cant this summer to my lovely Switzerland.
mr-s
Memberif i will play the opening trill both hands without the thirds in the left so how can it be heard? the piano score i have dosent play with the trill, and i bought the quartet score by Bob litterel and in this place said that the 1st and 2nd violins play the thirds only if the harp dosent play it.
mr-s
Memberoh Chiara, Hellobmy dear do you remember me ? i am Basel the only male harpist in the Harp Masters, it was nice to be there, and to meet an interesting and lovely Harpist like you there. Regards.
mr-s
MemberHi Misty,thank you for answering i know about Labarre and the harmonics used in la Dame blanche, but i am interested to to get a story about the concerto it selves.
mr-s
Memberi am interested too to know some history about this concerto, i got only short information that the concert was composed in 1800 and was published in 1803, i dont know if Boieldieu played the harp himself or not and if he composed the concerto especially to be played on the harp or Clavicine or Piano, and to whom was dedicated and who is the first player of it?
mr-s
Memberas i know the ornament in the first opening trill should be played before the first beat, i dont know if there is another rule.
mr-s
MemberSorry Carl and my big condolences for you.
mr-s
MemberHi Misty , oh i had that situation many many times, now its my fourth year of playing a gig and many times i did tune the harp after finishing my playing and putted the harp in the trunk then the next day found it untuned because the harp located in a cold place the i play in a warm hall, the people was looking to me as if they want to stop it or do it quickly , i felt uncomfortable,but its better to tune and not to play with untuned strings, dont care,we should live with that.
March 23, 2011 at 1:48 am in reply to: Fantasie Hasselmans in D flat majorfor Harp And Orchestra #147284mr-s
MemberHi Patricia, you know that Max Saal, was the teacher of Vera Dulova? but i would like to know who was the teacher of Max Saal and wich school he used to teach? the french should be but not sure.
mr-s
MemberKatherine you are exactly right, you remind me in the Book of Madam Shameeva,i had lost the book but found it.
mr-s
MemberПривет Ина i think it was played in Moscow by X.ERdeli first as it was composed for her, and the date should be 1938. but i will check it more.
mr-s
MemberHi Richard, thank you for your suggestion, you know i am interested to know exactly who did composed La source before Hasselmans or Zabel, because they have the same character in my opinion, and why Zabel piece named Fountain and in another places La Source? do you think that the librarian will have the answer? and will answer me.
mr-s
Memberplayers of course dont forget the Legendry russian Harpist, Tatiana Tower, but sad that she died. and Irina Donskaia as a player and Professor in St peters burg , and Asia Varosian was a great prof too but she retired, in Moscow should be many players , and good professors are Shameeva Natalia and Milda Agazarian.
mr-s
Membersorry i am looking for an exact date not for suspects.
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