[Ian McVoy]

There are no markings, but a PDF scan of the complete part is available for download on imslp.org.

[Ian McVoy]

Additional info-
We have recently played
Ravel: Tzigane
Respighi: The Pines of Rome
Debussy: La Mer

[Ian McVoy]

Thanks!

[Ian McVoy]

It’s not that bad.

[Ian McVoy]

It connects me to the instrument and sometimes helps me relate to it.

[Ian McVoy]

I understand your disagreement. It may just be my negative association with the piece. The first time I ever played it, the orchestra completely drowned out the harp part. Not only that, but their music library didn’t have the individual part, forcing me to either buy it or put it on to Finale from the score.
-Ian

[Ian McVoy]

Me neither!

[Ian McVoy]

Troika from Liutenant Kije suite by Prokoffiev.

[Ian McVoy]

Rosemary, Saul, and Carl, congratulations, you have officially turned me in to a harpcolumn addict! 😀
-Ian

[Ian McVoy]

I love all of this!

[Ian McVoy]

Louise, I write and arrange a lot of jazz, and, while the C-C# may not be useful to classical harpists, I find it wonderful to have there in case of a pedal slide, especially if there are a lot of them very close together.

[Ian McVoy]

I’d go with Deborah Henson-Conant’s “Congratulations, you Made it this Far” if you can sing.

[Ian McVoy]

I’m a student, and it seems to me that no client wants to hear any of the more complex and personally rewarding music that most harpists know at their events.

[Ian McVoy]

I had concedo strings on my harp for about two years.

[Ian McVoy]

The American Youth Harp Ensemble now owns her harp I believe.

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