[cynthy-johnson]

I would second that for Frank Voltz’s pieces …

Try …

Ambience, Celestial, or Dreaming of You … these would make great additions to any type of background music.

~Cynthy

[cynthy-johnson]

I have a 13yr old student that has been playing lever harp for 4 years. She has played many pieces of music (classics, etc.); however the pieces that keep her coming back to the harp are Frank Voltz’s jazz pieces.

[cynthy-johnson]

Lever, You Did Me Wrong

Lever’s In the Air

… and Pink Pedal Pusher’s

etc.

[cynthy-johnson]

Harp Therapy Programs that are accredited by the The National Standards Board for Therapeutic Musicians can be found at their website at:

http://www.therapeuticmusician.com/

For more information on IHTP, you can review the coursework at the NEW harp thearpy campus at:

http://harptherapycampus.com/

Best wishes,

Cynthy Johnson, CTHP

[cynthy-johnson]

I learned a 2-fingered gliss in a workshop with Kim Robertson.

[cynthy-johnson]

Michaela,

As the others have stated, I organize my repertoire in different binders.

[cynthy-johnson]

I had

[cynthy-johnson]

Sherry,

What do you mean by “spiritual component”?

[cynthy-johnson]

We have the right to declare that harps are not merely percussion instruments and that harps and harpists do not belong in the percussion section of an orchestra.

[cynthy-johnson]

You should meet with someone who studied with Miss Lawrence or Miss Chalifoux in particular, to learn how his sounds should be executed …

If you decide to contact an accomplished harpist that studied with Alice Chalifoux, you might consider contacting my former pedal harp instructor.

[cynthy-johnson]

Oh, I just remembered … it was “Swan LK 243” by Catriona McKay

[cynthy-johnson]

That YouTube version

[cynthy-johnson]

The

[cynthy-johnson]

Yes, playback can be very misleading!

[cynthy-johnson]

1. I always perform my own compositions or arrangements prior to publishing

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