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cynthy-johnsonParticipant
I would second that for Frank Voltz’s pieces …
Try …
Ambience, Celestial, or Dreaming of You … these would make great additions to any type of background music.
~Cynthy
cynthy-johnsonParticipantI have a 13yr old student that has been playing lever harp for 4 years. She has played many pieces of music (classics, etc.); however the pieces that keep her coming back to the harp are Frank Voltz’s jazz pieces.
cynthy-johnsonParticipantLever, You Did Me Wrong
Lever’s In the Air
… and Pink Pedal Pusher’s
etc.
cynthy-johnsonParticipantHarp Therapy Programs that are accredited by the The National Standards Board for Therapeutic Musicians can be found at their website at:
http://www.therapeuticmusician.com/
For more information on IHTP, you can review the coursework at the NEW harp thearpy campus at:
Best wishes,
Cynthy Johnson, CTHP
cynthy-johnsonParticipantI learned a 2-fingered gliss in a workshop with Kim Robertson.
cynthy-johnsonParticipantMichaela,
As the others have stated, I organize my repertoire in different binders.
cynthy-johnsonParticipantI had
cynthy-johnsonParticipantSherry,
What do you mean by “spiritual component”?
cynthy-johnsonParticipantWe have the right to declare that harps are not merely percussion instruments and that harps and harpists do not belong in the percussion section of an orchestra.
cynthy-johnsonParticipantYou should meet with someone who studied with Miss Lawrence or Miss Chalifoux in particular, to learn how his sounds should be executed …
If you decide to contact an accomplished harpist that studied with Alice Chalifoux, you might consider contacting my former pedal harp instructor.
cynthy-johnsonParticipantOh, I just remembered … it was “Swan LK 243” by Catriona McKay
cynthy-johnsonParticipantThat YouTube version
cynthy-johnsonParticipantThe
cynthy-johnsonParticipantYes, playback can be very misleading!
cynthy-johnsonParticipant1. I always perform my own compositions or arrangements prior to publishing
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