Chris Asmann

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Viewing 15 posts - 31 through 45 (of 46 total)
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  • in reply to: Webster Harps #160330
    Chris Asmann
    Participant

    Great for you Jennifer!

    The waiting must be tough, but nice to know your harp is being made just for you.

    I hope we can count on some pictures and a full report when

    in reply to: What are the characteristics of a “Gothic” Harp? #160914
    Chris Asmann
    Participant

    Please pardon the premature post, here is the second link:

    http://www.thurau-harps.com/harps/hh-uebersicht.htm

    in reply to: What are the characteristics of a “Gothic” Harp? #160913
    Chris Asmann
    Participant

    I reralized after I posted that all of us who replied didn’t really answer the question:

    “what are the charactaristics of a “Gothic” harp”

    Here is a link that may help: http://www.eric-harps.de/historical-harps/gothic.htm

    There are sound clips with and without brays of most of the models he makes along with a nice explantion of where he found inspiration for each one. There are other places where you can read more about the construction of harps and the music written for them in the 15th and 16th centuries, but this site is the only place I have found sound samples offered for instruments

    in reply to: Learning Harp #160743
    Chris Asmann
    Participant

    Hi Susan.

    I don’t have any personal experience with Skype lessons so

    in reply to: What are the characteristics of a “Gothic” Harp? #160912
    Chris Asmann
    Participant

    Blevins makes a gothic type with 29 strings and a proper oval soundbox. (though I doubt it’s hollowed out by hand at the modest price they’re asking)

    There is one in cherry on their discounted new harps page. The model name is Harmony:

    http://blevinsharps.com/index.php?main_page=index&cPath=167_2_99

    in reply to: tuning by ear #85893
    Chris Asmann
    Participant

    I’ve been told I have ‘perfect pitch’. I don’t know if I buy that. I can always hear if something isn’t right, and I can tell sharp or flat.

    However, I

    in reply to: sponge in harp??? #160982
    Chris Asmann
    Participant

    I’m glad that seems to work well for Liam, but it’s really not a good idea. A sponge inside the harp (or any humidifier) will increase the humidity on the inside, where the wood is unfinished and able to absorb more moisture.

    This causes the interior of the body to swell slightly and could distort the shell or hasten the demise of glue joints on the body. Also, if you’re relying on the sponge and not using a room humidifier, the room will be drier than normal which will exacerbate the problem.

    The reason those little humidifiers work well for guitars is that guitars spend most of their time inside a case, where the humidity will stabilize around the entire instrument. For obvious reasons it doesn’t apply to a harp.

    While laminate wood products are less affected by changes in humidity, they are still wood, and will still react (slowly and less dramtically) to changes in humidity with changes in dimension.

    If you’ve just spent thousands of dollars on a fine wood instrument, why take chances? Plunk down the extra $50 for a decent humidifier. I have a Hunter model 34355 with a permanent aluminum wick (lasts about 2 years with hard water) and it maintains 45% humidity in a room that’s 18×24 with 12′ ceiling. It has a built-in humidistat, so it turns on and off at levels I can set.

    You’ll probably find that stable 40% humidity is pleasant for people too :-)

    Chris

    in reply to: Mildred Dilling on youtube #152036
    Chris Asmann
    Participant

    Just my two cents about the hand movements and frame rate:

    YouTube adulterates everything you upload. I would not expect that the jerky movements, apparently missing frames or slightly mismatched audio are evident in the original recording.

    in reply to: I’m EXPECTING!!!! #161063
    Chris Asmann
    Participant

    Congrats!

    If the harp is a McFall, the dance is a Jig or a Reel -you pick.

    I have a Madame Cadillac, couldn’t be happier. I would love to have one of his Neo-Irish too, but……

    I don’t know how you’re going to stand the wait!

    Chris in NY

    in reply to: If money was no object I would buy…. #102355
    Chris Asmann
    Participant

    What Paul said!!!!!

    in reply to: Dry, splitting, cracking, bleeding finger tips #157882
    Chris Asmann
    Participant

    I’ve always used strong iodine in a dip to toughen my fingertips (to play the bass).

    I

    in reply to: Webster Harps #160310
    Chris Asmann
    Participant

    I have a ‘Madame Cadillac’ model

    in reply to: Enduring the waiting #161628
    Chris Asmann
    Participant

    Just a thought – not knowing what’s available in the area where you live, but here I very often see electronic keyboards selling for $50 or so in the local paper, pennysaver and craigslist.

    If you want to learn more about music theory, read music better or just make music to satisfy yourself, these keyboards are inexpensive and beginner-friendly.

    In your situation, I would look around for something used and inexpensive to get started. When the harp you want fineally happens, you will have a good start on theory and reading music for two hands, which can only help.

    In the meanwhile, you’ll be able to satisfy the urge to create music and feel less frustrated.

    Best wishes,

    Chris in NY

    in reply to: Holiday Decorations For The Harp #110471
    Chris Asmann
    Participant

    How about a sheer cover for the harp (in between sets) that’s made of fabric in colors or patterns that reflect the current holiday or the event at hand?
    The cover could be draped over a music stand when you’re playing and thereby still on display.
    A small wardrobe for the harp could be accumulated over a year or two at small cost to great effect.
    No problems with wires, lights or other things that could harm the finish, and the cover will keep people from trying to play the harp when you’re away from it.
    Chris

    in reply to: London Erard Records #86441
    Chris Asmann
    Participant

    Hi Carl.
    It’s interesting that you should mention this.
    I just purchased an 1804 Erard and the RCM curator kindly sent a copy of that page in the records where my harp is recorded.

Viewing 15 posts - 31 through 45 (of 46 total)