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barbara-brundage
ParticipantI think that stand had already been discontinued by the time I was first looking for a harp in the late 1970s, because I initially tried to order a 30, during the time when the wait was almost six years. But the stand wasn’t available by then.
barbara-brundage
ParticipantI know there was a price list/brochure in the early or mid-seventies that showed the 30 with the stand and the infamous bucket bench, but I no longer have it.
barbara-brundage
ParticipantHey, Tony, do you have iOS4 installed? I installed the istrobosoft update after that, but the display doesn’t strobe anymore for me, although I can see the numerical readout of how far out the string is. Is it working for you?
barbara-brundage
ParticipantBill, I see you’re in Broward. I don’t know if UM has old issues of the Harp Journal and the Harp News in their library, but you might check. Possibly there would be a picture in an old L&H ad in the issues from the 60s and early 70s. (I know FSU has them, but that’s not exactly convenient.)
If you belong to the harp chapter down there, there might also be someone who kept those old L&H brochures, if you ask around.
barbara-brundage
ParticipantAnd if you do have a clip-on pickup, sometimes you need to move it for the top strings.
July 2, 2010 at 11:17 pm in reply to: Why make another recording of the Same ole Same ole???? #149914barbara-brundage
Participant> I remember hearing a recording executive a couple of years ago say that there isn’t an orchestra in the world that can put out a recording of a Tchaikowsky symphony and sell more than 10,000 recordings worldwide.
While I hate to say it, I would say that 10,000 recordings is probably a pretty darned respectable number for ANY classical recording these days, Carl.
barbara-brundage
ParticipantISFHC also, since both are through Anderson.
barbara-brundage
ParticipantThere isn’t necessarily any difference in cost. The AHS policy is the same for either.
barbara-brundage
ParticipantYou won’t get more respect from the client, you’ll get less (can’t be all that hard, can it–she doesn’t even need a break like the band does, so obviously she scammed us on the price).
Besides, you’re shortening your career by setting yourself up for repetitive stress injury.
I totally understand not wanting to take them–I’d rather be playing, too, than searching for a place to lurk while I’m not. But if you want to still be doing this in fifteen or twenty years, you need to respect your body. It’s already telling you that what you’re doing is stressing it. Take the breaks.
barbara-brundage
ParticipantI don’t know how the economy is in Canada, but for sure in the US there’s never been a better time to buy a used harp. It might be worth checking to see what’s out there. You could get a top of the line instrument within your budget, with a little luck.
barbara-brundage
ParticipantYes, they’re pretty much all quite doable. Only a couple have tricky lever passages, but it’s been so long since I did them that I don’t remember which ones.
barbara-brundage
ParticipantYes, they’re pretty much all quite doable. Only a couple have tricky lever passages, but it’s been so long since I did them that I don’t remember which ones.
barbara-brundage
ParticipantYes, they’re pretty much all quite doable. Only a couple have tricky lever passages, but it’s been so long since I did them that I don’t remember which ones.
barbara-brundage
Participantbarbara-brundage
ParticipantThe harp will be absolutely fine. Just, you should pardon the expression, don’t sweat it.
My harps have been through hurricanes including as long as 3 weeks of no AC and all that standing water evaporating all around with no problems other than a few broken strings.
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