[Ann Marie Liss]

I’ve not heard this before.

[Ann Marie Liss]

Sorry,

[Ann Marie Liss]

For eartraining (intervals, chords, modes, rhythm, dictation, etc…)

[Ann Marie Liss]

Strange… the 3 ???’s were supposed to say 2005… bizarre

[Ann Marie Liss]

Carl,
I have been studying with Isabelle Perrin at the Ecole Normale de Musique de Paris

[Ann Marie Liss]

I’m from the Denver, Colorado area.

[Ann Marie Liss]

When

[Ann Marie Liss]

There are many wonderful musica festivals that are appropriate for the collegiate level such as Aspen, etc., but if you are looking for more of a harp-specific opportunity not mainly focusing on orchestral repertoire, you might consider the contacting Sylvia Norris in Traverse City Michagan about the harp seminar in July given by Isabelle Perrin–an excelent

[Ann Marie Liss]

Carl,
Where did you study with Jamet in France? Privately or in a conservatoire? Just curious 🙂

[Ann Marie Liss]

Ok, this is almost getting funny.

[Ann Marie Liss]

Oh and one more thing,
Steven I really agree with Saul about not seeling your troubador, especially if you plan to continue a harp career to include teaching.

[Ann Marie Liss]

Dear Saul,

The idea that it is the specific instrument that a musician plays either makes or breaks them or defines the quality or ‘seriousness’ of their music is quite rediculous.

[Ann Marie Liss]

Hi Brandee.
Isn’t word invention liberating 🙂
I have never played the Gliere Impromtu, so I’m somewhat in the dark for that, but it sounds to me like you’re hitting the fine line between the need for beauty on your hands and beauty in the music.

[Ann Marie Liss]

Hey, congratulations!

[Ann Marie Liss]

Meurs de rire!

[Author]

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