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The birth of a harp

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Home Forums Forum Archives Amateur Harpists The birth of a harp

Viewing 15 posts - 46 through 60 (of 72 total)
  • Author
    Posts
  • #160801
    Audrey Nickel
    Participant

    So far I’m still not seeing any widening or lengthening of the cracks.

    #160802
    Liam M
    Participant

    Really? I am glad for you…

    #160803
    Karen Johns
    Participant

    I found the same thing with my Limerick (Taliesin). The steel strings came up to pitch after only a few tunings, while my

    #160804
    Audrey Nickel
    Participant

    I don’t actually have a stringing chart.

    #160805
    Liam M
    Participant

    Karen,

    I do not have my notes with me, and

    #160806
    Karen Johns
    Participant

    Try paint markers for your strings- they seem to endure longer. Be careful with the wound strings though (if you have any)-the paint seeping into the grooves tends to deaden the sound.

    #160807
    Karen Johns
    Participant

    If you look at the style of the Limerick, you will see the relatively straight neck. Some harp models, like pedal

    #160808
    michael-rockowitz
    Participant

    Liam,

    I’m not sure if this is what you’re referring to, but here’s a widely used string tension calculator:
    http://www.cs.helsinki.fi/u/wikla/mus/NewScalc/

    String tension calculators like this, as well as the actual formulas behind them, are readily available on the web-

    The question of arched versus straighter neck – I was under the impression that one of the reasons for the harmonic arch is to reduce the length of the strings in the higher ranges – as a result, you can use a lower

    #160809
    Audrey Nickel
    Participant

    I know that historical wire harps (such as the Trinity — aka “Brian Boru” and Queen Mary) have the low head and curved arch similar to ours.

    #160810
    Karen Johns
    Participant

    I’m just passing along what I was told by two harp designers that have been at this for 20+ years. This is their observations I am relying on. I just want everyone to be aware of this- I neither have the experience as either a designer or builder to make these statements about

    #160811
    unknown-user
    Participant

    Well Audrey it has been a number of days since your Bard was tuned, how do you like the sound? And what made you buy a harp from Muis. To Liam as well how do you like the Trinity harp in the plywood Mahogany. I am interested because I have ordered a Trinity from Muis in Mahaogany which should be done in a week or so. Iam looking forward to putting it together and hopeing for that magical wire string tone. Thanks a lot.

    #160812
    Liam M
    Participant

    Dennis, I am warming to the Trinity. However it is still disassembled in restoration and I am far from my shop… so it will be some time before I finish it. I must admit, I prefer the Cherry and hope Muis continues to offer it. It is hader to work, but I just like the wood better.

    #160813
    Audrey Nickel
    Participant

    I am utterly enchanted with the sound. He has a beautiful, resonant, bell-like voice.

    I will be taking him with me to my regular lesson on Friday.

    #160814
    Audrey Nickel
    Participant

    Well, Aodhán’s made his recording debut!

    #160815
    Geri McQuillen
    Participant

    Audrey, the sound is lovely.

Viewing 15 posts - 46 through 60 (of 72 total)
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