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- This topic has 71 replies, 7 voices, and was last updated 17 years, 3 months ago by
Audrey Nickel.
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AuthorPosts
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January 8, 2009 at 11:59 pm #160801
Audrey Nickel
ParticipantSo far I’m still not seeing any widening or lengthening of the cracks.
January 9, 2009 at 12:25 am #160802Liam M
ParticipantReally? I am glad for you…
January 9, 2009 at 3:29 am #160803Karen Johns
ParticipantI found the same thing with my Limerick (Taliesin). The steel strings came up to pitch after only a few tunings, while my
January 9, 2009 at 6:09 am #160804Audrey Nickel
ParticipantI don’t actually have a stringing chart.
January 9, 2009 at 11:39 am #160805Liam M
ParticipantKaren,
I do not have my notes with me, and
January 9, 2009 at 2:25 pm #160806Karen Johns
ParticipantTry paint markers for your strings- they seem to endure longer. Be careful with the wound strings though (if you have any)-the paint seeping into the grooves tends to deaden the sound.
January 9, 2009 at 2:41 pm #160807Karen Johns
ParticipantIf you look at the style of the Limerick, you will see the relatively straight neck. Some harp models, like pedal
January 9, 2009 at 10:38 pm #160808michael-rockowitz
ParticipantLiam,
I’m not sure if this is what you’re referring to, but here’s a widely used string tension calculator:
http://www.cs.helsinki.fi/u/wikla/mus/NewScalc/String tension calculators like this, as well as the actual formulas behind them, are readily available on the web-
The question of arched versus straighter neck – I was under the impression that one of the reasons for the harmonic arch is to reduce the length of the strings in the higher ranges – as a result, you can use a lower
January 10, 2009 at 12:03 am #160809Audrey Nickel
ParticipantI know that historical wire harps (such as the Trinity — aka “Brian Boru” and Queen Mary) have the low head and curved arch similar to ours.
January 10, 2009 at 1:49 am #160810Karen Johns
ParticipantI’m just passing along what I was told by two harp designers that have been at this for 20+ years. This is their observations I am relying on. I just want everyone to be aware of this- I neither have the experience as either a designer or builder to make these statements about
January 14, 2009 at 4:14 pm #160811unknown-user
ParticipantWell Audrey it has been a number of days since your Bard was tuned, how do you like the sound? And what made you buy a harp from Muis. To Liam as well how do you like the Trinity harp in the plywood Mahogany. I am interested because I have ordered a Trinity from Muis in Mahaogany which should be done in a week or so. Iam looking forward to putting it together and hopeing for that magical wire string tone. Thanks a lot.
January 14, 2009 at 6:40 pm #160812Liam M
ParticipantDennis, I am warming to the Trinity. However it is still disassembled in restoration and I am far from my shop… so it will be some time before I finish it. I must admit, I prefer the Cherry and hope Muis continues to offer it. It is hader to work, but I just like the wood better.
January 14, 2009 at 9:52 pm #160813Audrey Nickel
ParticipantI am utterly enchanted with the sound. He has a beautiful, resonant, bell-like voice.
I will be taking him with me to my regular lesson on Friday.
April 28, 2009 at 5:58 pm #160814Audrey Nickel
ParticipantWell, Aodhán’s made his recording debut!
April 29, 2009 at 4:29 am #160815Geri McQuillen
ParticipantAudrey, the sound is lovely.
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