Contents
Soay
Levenish
Stac Lee
Hirta
Dun
Note from the arranger
St. Kilda, with its jagged cliffs and boiling seas, is the most remote island outpost of Great Britain, 52 miles west of the Outer Hebrides. Inhabited for over a thousand years, this windswept group of rocks yielded up a scant living. There was one asset, however, that St Kilda possessed in extraordinary abundance: seabirds. Three-quarters of a million of them came every year to nest on the islands and on the sea stacs: gannets, fulmars, kittiwakes, puffins, great skua, razorbills, guillemots and petrels. The St. Kildans lived on these birds, catching them by lowering themselves on ropes from the clifftops or climbing up the sea stacs from boats. The men became expert climbers, learning their skills as children. The community of once over 180 exceptionally lively and musical people dwindled over time. The last hearty handful of inhabitants were evacuated in 1930. Since that time much of the music of St. Kilda has been lost.
Flash forward to 2008, Edinburgh. A grizzled man in a nursing home delicately caresses a piano as if in a trance. His music is haunting, elegiac, unknown, and yet strangely familiar. Seventy-year-old Trevor Morrison, as it turned out, studied piano as a young boy with one of the last evacuees of St. Kilda. Fortunately for us, Trevor’s friend and computer guru, Stuart McKenzie, facilitated the recording of these gems, nearly lost in time.
Jude Ansbacher (verified owner) –
I am amazed at what Laura Zaerr has done with these very simple tunes. I have tried to see how she has done it so that I might do something similar, but I can’t. Beautiful elaboration and moving harmonies with slight dissonances. The music is holding my interest while I try to master it.