Jennifer Yoneji

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Viewing 14 posts - 1 through 14 (of 14 total)
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  • in reply to: Harp parts #149309
    Jennifer Yoneji
    Participant

    Thank you very much. I really appreciate your responses.

    in reply to: Hip pain #149401
    Jennifer Yoneji
    Participant

    Thank you very much for your input. I think I’ll look for a Cush-Tush. Do you find that it helps when you’re riding in a car? Sometimes, it’s pretty hard to walk after I’ve been riding in the car for awhile.

    in reply to: Concedo strings #149474
    Jennifer Yoneji
    Participant

    Thank you very much for your responses. I appreciate your input.

    in reply to: Harmonics in Sleeping Beauty Suite #149590
    Jennifer Yoneji
    Participant

    Thank you very much for your comments. I’ll give the suggestions a try. It’s so nice to have on-line assistance.

    in reply to: Harmonics in Sleeping Beauty Suite #149586
    Jennifer Yoneji
    Participant

    So, do I just play the 2 harmonics and forget about the b? Why does a composer write music like this?

    in reply to: Hip pain #149396
    Jennifer Yoneji
    Participant

    Yes, Kay. As far as I know. I’ve played for about 11 years, now, and the pain didn’t start until about 6 months ago.

    in reply to: Hip pain #149395
    Jennifer Yoneji
    Participant

    Hi Saul, I do now, but I’m wondering if it’s because of sitting at the harp. Maybe it’s just arthritis. I’m also a runner, but haven’t had problems until about 6 months ago.

    Jennifer Yoneji
    Participant

    Thank you, Brian. I’ve ordered it.

    in reply to: Following the conductor #150415
    Jennifer Yoneji
    Participant

    Thank you so much for your reply. I think I’m a little beyond my skill level, here. When there are fewer pieces, I can usually figure things out pretty well, but with 10 pieces and all of them opera with singers and lines I don’t really know, it’s going to be challenging. The conductor will be coming tomorrow morning to work with me. We’ll see how it goes. I think I may have to abridge some of the phrases – especially a section in Madama Butterfly.

    in reply to: Pedaling for Madama Butterfly #150438
    Jennifer Yoneji
    Participant

    Thank you, Michael. I received some assistance from Rosalind Beck and I’m in the process of learning her markings. I, too, have to memorize. It’s coming rather slowly, I’m afraid. When I try to play to tempo, it all falls apart.

    in reply to: Waltz of the Flowers. #151092
    Jennifer Yoneji
    Participant

    Could you e-mail it to me? yoneji@bresnan.net
    Thank you!

    Jenny Yoneji

    in reply to: Exposed harp in Nutcracker #151196
    Jennifer Yoneji
    Participant

    Thank you, Rosalind. I thought it all sounded so familiar that it had to be pretty audible. It’s quite a workout, isn’t it?

    in reply to: Exposed harp in Nutcracker #151194
    Jennifer Yoneji
    Participant

    Thank you, Mel. It is the full ballet.

    in reply to: Nutcracker part #151639
    Jennifer Yoneji
    Participant

    Thank you for your reply. I actually tried to play it both hands together. I like it much better with alternating hands. I will listen once again to the recording of the cadenza with the music in front of me and see if it makes any difference. I was surprised at how long the recording seemed to go on compared to the written part.

Viewing 14 posts - 1 through 14 (of 14 total)