I would like to say something my first teacher,spanish harpist Lea Bach,a Hasselmans’ student;contradictions on “inward/outward knucles” always was there and herself testify that in her harp beginning in Paris.This is my first response in this forum and,in despite of I believe this discussion on harp tecnique very profitable,in my country,harpists are well acquainted with divergences,in a dispassionate way,I mean.Let me tell you I spent many years playng in Grandjany technique(because almost all harp teachers in Brazil teaching this one)but I moved to Salzedo after I met an Salzedo harp teacher.It was some hard to start(knucles outward,higher left arm,ascending gestures,at all)but I fell a lot of philosofical basis behind Salzedo ideas and my sound producing improves a lot.Today,I have my own students and they haven’t any problems on Salzedo way.I believe on importance of initial lessons and teachers that really comprehends they are teaching.I apologize about bad english ,’cause this isn’t my first language.Thanks,Saul,on your responses;there are lots of important information by you in there.H?lio Leite,Brazil.