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This topic has 17 replies, 8 voices, and was last updated 14 years, 1 month ago by Saul Davis Zlatkovski.

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March 27, 2010 at 3:58 am #150536

Saul Davis Zlatkovski
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The bulk of the Salzedo syllabus compiled by one of his students in perhaps the 1930s basically consisted of his published music and transcriptions, and those by Marie Miller and Salzedo’s other pupils. Before the publication of Lawrence’s Method, they used the Universal Method of Bochsa/Oberthuer. That means the repertoire was basically baroque, classical, Mendelssohn, Debussy, and modern. If you look on the back page of single pieces, the other titles in the series are often listed.

March 27, 2010 at 4:04 am #150537

Saul Davis Zlatkovski
Participant

The Salzedo texts (by Lawrence and Salzedo)

March 27, 2010 at 4:06 am #150538

Saul Davis Zlatkovski
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Salzedo’s Spanish genre music includes La Desirade and Chanson dans la nuit from Preludes for Beginners in the Method for the Harp, Scintillation, Pentacle, Concerto for Harp and Seven Winds last movement, Second Concerto’s last movement,
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