The fall semester is here—time to pick what you’re playing!

Whether you’re planning a studio’s worth of lesson repertoire, filling out a fall recital program, or just looking for something new to sink your teeth into, we’ve got fresh solos and ensembles to get you started. From a 22‑song world tour for solo harp to a set of African American spirituals for flexible duet or trio, we’ve got suggestions for every level and every stand.

(Titles with an * are playable on lever harp.)

*Passport for Harpists

Kaffee Peck

Twenty‑two arrangements from Asia, Europe, the Middle East, Africa, the Americas, and the Pacific, plus original Peck compositions. Includes a world map and color‑coded regions, with an interactive PDF for easy navigation.

Spirit of Harp

Monika Stadler

Twelve short pieces blending jazz, Latin, classical, and folk—nostalgic and expressive, ideal for encores or refreshing a concert program. Also a great teaching tool, introducing pedal slides and kicks for grade 5–6+ students. Available as a full anthology or individual arrangements.

*Broken Symmetry

Amy Nam

Written during Nam’s residency as Fermilab’s guest composer, this piece meditates on the symmetries and broken symmetries that shape the physical world. Built for electric harp, it performs just as well on acoustic.

*Visions: A Collection of 10 Original Works for Harp

Jackie Cook

Ten pieces ranging from contemporary and meditative to cinematic, classical, and baroque‑influenced, with subtle Irish touches. Accessible for beginners, with room for advanced players to dig into interpretation. Sold as a full collection or individual pieces.

Under The Apple Tree Suite

Jackie Cook

Ten pieces ranging from contemporary and meditative to cinematic, classical, and baroque‑influenced, with subtle Irish touches. Accessible for beginners, with room for advanced players to dig into interpretation. Sold as a full collection or individual pieces.

*In My Heart Suite

Maurice Draughn

Three African American spirituals arranged as flexible duets or a trio, so mixed‑level groups can play together—beginner duet, intermediate duet, or trio combinations. Companion piece: In the Air Suite.

*Pachelbellies

Stephen Dunstone

An original piece built on the “Canon in D” progression, with melody and harmony parts passed between player pairs verse by verse. A mixed‑level version (advanced beginner + beginner) is also available.

Second Suite in F

Melvin Lauf Jr./Holst

A four‑movement wind‑band classic arranged for three pedal harps—a rare chance to play Holst beyond The Planets. Companion: First Suite in E‑flat.

Liebestraum No. 3

Willi Maerz/Liszt

Liszt’s famous “Liebestraum” arranged for pedal harp quartet—a piece with a life well beyond the classical world, having turned up in 20th‑century pop music too.
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*Strings of the Sun

Amanda Whiting and Cindy Horstman

A Latin‑inspired duet with equal melody and accompaniment roles for both players, plus an optional improvised section for players who want to stretch out.

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