[kimberly-houser]

Exactly Carl,

[kimberly-houser]

I also believe that in music that most schools go not offer graduate
minors at the master’s level.

[kimberly-houser]

I think one of the best things you can do so go and interview at
different programs, see the campuses interact with the faculty and the
students, take a lesson with the teacher and sit in on some
courses.

[kimberly-houser]

Do the swell doors actually work? (Would love to actually play a harp with swell doors)

[kimberly-houser]

I have been emphasizing the solfege more, both with myself and my students, it does help.

[kimberly-houser]

Carl,

I would love to find myself in Paris…sigh…

But you gave me an idea, kind of a no brainer but, use the internet!!!!
Silly me.

[kimberly-houser]

The Solfege system is fascinating to me.

[kimberly-houser]

Marion has also been one of my most important influences!

[kimberly-houser]

I am seeing, according to some people’s opinions, on this forum that “fishing for students”

[kimberly-houser]

Louisiana State University fosters the performance of contempory music.

[kimberly-houser]

Hi I am a harp teacher and harpist in the Portland area.

[kimberly-houser]

Hello,

I also agree with this, the competition levels need to be adapted to how modern students are studying.

[kimberly-houser]

Hello,

I know that it seems excessive and that you just want to play.

[kimberly-houser]

I think that it is in the archive at the Curtis Institute. Salzedo considered the work too impressionistic for his own taste and I am not sure it was ever published.

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