[kimberly-houser]

There are many French Method teachers available all around the country.

[kimberly-houser]

I started when I was eight.

[kimberly-houser]

The harp you are playing can help and I agree with many of the people on this forum that have prefered a warmer harp for chamber/solo playing and a brighter harp for orchestra/band.

[kimberly-houser]

I play it as I learned it, with a Grandjany first movement with some things edited out and then used the Salzedo for the last two, also with some editions done to the trills and some of the extras removed.

[kimberly-houser]

Hello Nancy!!!

I would say that if it does not hurt when you play then it is okay.

[kimberly-houser]

Where-ever the aid comes from I do not know, but there are different sources for different types of students.

[kimberly-houser]

This is a huge catagory of music.

[kimberly-houser]

I was a member of SAI is my undergrad.

[kimberly-houser]

Academia can function both as a preserver of tradition and as springboard for innovation… this greatly depends on the mindset of the individual academic and the institution that they are involved with.

[kimberly-houser]

This has been a great discussion.

[kimberly-houser]

It sounds like this piece was very offensive.

[kimberly-houser]

Definately La Source.

[kimberly-houser]

Remember, and this has been stated time and again on this site, that Salzedo and Grandjany came from the same background, the French School of Hasselman’s.

[kimberly-houser]

Remember, and this has been stated time and again on this site, that Salzedo and Grandjany came from the same background, the French School of Hasselman’s.

[kimberly-houser]

Exactly Carl,

[Author]

Posts