[jennifer-byrne]

AND you spend the rest of the scene trying to figure what kind of harp it is, missing the dialog altogether.

(Been there, done that.)

[jennifer-byrne]

Here is where there are pictures of my (yet unstrung) new harp!

[jennifer-byrne]

Oh, yes, I visited Mere one afternoon a few weeks ago and that was what clinched the deal.

[jennifer-byrne]

Morning, Pat,

I’m having a Madame Cadillac made but I am unfortunately located in upstate NY so can’t take the 7-8 hour trip to see it being made.

[jennifer-byrne]

Hi Pat,

I’m having a Webster made as well and researched in obnoxious detail the differences between the Camac levers and Truitt levers.

[jennifer-byrne]

Oh, yes – there will be photos!

[jennifer-byrne]

Hmm.

[jennifer-byrne]

Hugh Brock of the Harp Column tells me they were getting so many

[jennifer-byrne]

Afternoon,

I have not played the 18th Century model, but I have played the Laurel Leaf model which is the same height and depth as the 18th Century model.

[jennifer-byrne]

Barbara,

I’ve been thinking about getting a 6-wheel cart.

[jennifer-byrne]

Hi Michelle,

I guess what is best would depend on the harp you are moving.

[jennifer-byrne]

Oh, thank goodness.

[jennifer-byrne]

What a great topic!

I choose what to do depending on who is singing.

[jennifer-byrne]

I will put in my vote for the Timothy Aedh as well.

[Author]

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