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catherine-rogers
ParticipantIf you really want a Prelude, have you considered buying a used one that would cost less? Lyon & Healy may have one on their pre-owned list, or there may be one listed on this website in the classified section.
catherine-rogers
ParticipantWith all the 30s Lyon & Healy is selling, maybe they ought to consider selling these stands again. They’d look good with the 100 and 85 series, too.
catherine-rogers
ParticipantI have brochures going back to 1974 but saw no pictures of the 30 style stand. I remember seeing it, probably in an old Lyon & Healy catalog. Those I didn’t save. I’m looking through my old American Harp Society Journals since 1976 but that’s very slow going. Maybe Lyon & Healy has a photo in their archives. Surely someone who reads these forums has one of these stands and could post a picture?
catherine-rogers
ParticipantMaybe it’s your pickup. What are you using? If you’re using just the microphone built into the tuner, that’s not enough to catch the extreme highs and lows.
catherine-rogers
ParticipantBarring some unforeseen hidden flaw, which would be extremely rare, I think you can reasonably expect many years of use from your Ogden (or from a Troubadour or Prelude). I have a 1974 Troubadour 1 which is still in use. I have several other Troubadours of various ages and a Prelude which are used as student rental instruments, and they hold up very well. Lyon and Healy lever harps are sturdy instruments built for long life with proper care and maintenance.
catherine-rogers
ParticipantYou can get Pirastro guts or nylons from The Harp Connection or you can get Pirastro nylons (1st and 2nd octaves) from Lyon & Healy.
I personally prefer Pirastro nylons in the top octave because they seem (to me) a tiny bit heavier and give me what I think is a less “plinky” sound and a better regulation. Like other nylons in this range, you get extra length, usually enough for 2-3 uses, and they wear really well.
catherine-rogers
ParticipantI remember seeing pictures of those in the old Lyon & Healy catalogs but unfortunately I didn’t keep those. They were pretty simple and graceful-looking; surely someone here must have one to show?
catherine-rogers
ParticipantMade do the best we could.
catherine-rogers
ParticipantSid is right. I’ve had buzzing that sounded like it was coming from the harp but turned out to be the bottom drawer of my metal file cabinet. Another time it was a loose screw in a hinge of a cabinet door (!) and once it was the metal grate cover on the heating/air conditioning duct in the floor. You just never know.
It really helps if you can get another person to listen with you and move around the room while you pluck the string so he or she can try to find the source.
Do get a copy of Carl Swanson’s book “A Guide for Harpists,” which is available from Vanderbilt Music and harp retailers. Not expensive and totally worth it, plus it’s a fun read if you’re into harps.
catherine-rogers
ParticipantYou’re right, I’d forgotten about the Chicago 40. Very nice instruments. I tried one at the Atlanta Harp Center and really liked its sound.
catherine-rogers
ParticipantI just read that a recent wedding in Proctorville, Ohio, had 110 bridesmaids. How’d you like to play that processional!? Hope they at least sent them down in pairs!
catherine-rogers
ParticipantI’m petite (5 feet) and have played a concert grand for years. However, I have a Camac Clio (44 strings, extended board) for casual jobs and find it more comfortable because the pedals are closer together, i.e., I don’t have to reach so far for the A pedal. It also weighs less, (57 lbs.) which is principally why I bought it. Or you can get the straight board Clio at 55 lbs. If you’re not playing orchestra repertoire, you can probably get away without a concert grand most of the time.
Also consider the Lyon & Healy 85P (discontinued but used ones are available–40 strings, straight board) or the 85GP–44 strings, extended board. Salvi has the Daphne with 40 or 44 strings. Venus has the Cherub with 44 strings. All are fine instruments. If weight is a consideration, check the specs on each of those.
Used ones are available on this website in the classified section and from Lyon & Healy’s pre-owned program and from individuals and harp stores.
catherine-rogers
ParticipantThe opera singer at the party was Maxine Castle.
catherine-rogers
ParticipantThe harp solo in “Monkey Business” was “Sugartime.”
Here’s the information I have, subject to correction, of course:
The Cocoanuts–When My Dreams Come True
Animal Crackers–Why Am I So Romantic
Monkey Business–O Solo Mio and Sugartime
Horse Feathers–Everyone Says I Love You
Duck Soup–no specialty numbers
A Night at the Opera–Alone
A Day at the Races–Blue Venetian Waters
Room Service–no specialty numbers
At the Circus–Blue Moon
Go West–Land of the Sky Blue Water
The Big Store–medley of classical tunes
A Night in Casablanca–Hungarian Rhapsody No. 2
Love Happy–no specialty numbers
catherine-rogers
ParticipantDid Laura Erb make recordings, too, where we could hear her arrangements?
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