[carl-swanson]

Thanks Sam…

[carl-swanson]

Anton- If you want to play Mozart Sonatas on the harp, then play them.

[carl-swanson]

Christine- 6 months of harp lessons will introduce you to the harp world and what is going on in it.

[carl-swanson]

Christine- I’m going to give you the most important suggestion you need to write successfully for the harp.

[carl-swanson]

I’ve never heard of putting a finger on a string just for support, when it’s not even going to play anything.

[carl-swanson]

Dearest Jenny- The fact that the student in question has been “taking lessons for several months’ completely outweighs any other consideration as to the qualifications of this woman to teach harp.

[carl-swanson]

Fingerings are tricky, and to some extent, personal.

[carl-swanson]

Tony- Your absolutely right on all counts.

[carl-swanson]

Juliene- For years a small part of my yearly income was derived by doing regulation trips.

[carl-swanson]

Tony- I wasn’t trying to argue with you.

[carl-swanson]

Alicia- What I didn’t understand, and still don’t, is your reference to arpeggios fingered 4-2-3-1.

[carl-swanson]

Alicia- I’m not sure what you are talking about.

[carl-swanson]

Tony- Any technique will ultimately feel comfortable because, with enough repetition, we build up muscle memory, and that makes it feel natural and comfortable.

[carl-swanson]

David- You’re obviously very well informed about the harp world in general.

[carl-swanson]

Get a new teacher!

[Author]

Posts