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- This topic has 6 replies, 5 voices, and was last updated 15 years, 6 months ago by
Saul Davis Zlatkovski.
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April 16, 2010 at 3:11 am #166144
Saul Davis Zlatkovski
ParticipantI’m not sure what concept young harpists today
May 13, 2010 at 10:52 am #166145Seoid OC
ParticipantThank you for your post – I found it oddly reassuring to know that no matter how good I am there will always be music that takes a year (or more) to learn and professionals can’t learn everything quickly either.
And I know exactly what you mean about letting a piece “ferment” between learning and polishing because I have experienced this myself.May 13, 2010 at 2:45 pm #166146harp guy
ParticipantThis is FANTASTIC wisdom, and is true across the music field. As I have said before that I am primarily a flutist (harp hobbyist). I can learn entire concerti in a few hours (or a few weeks depending on the level of difficulty), but they still take months to ‘gel’ and ‘ferment’ in order to become polished performances that are easily enjoyed. When my students get discouraged about learning a piece, I have to remind them that it’s OKAY to take your time learning a piece. In fact, it is to be expected if you are to learn and gain something from the process.
May 18, 2010 at 2:44 am #166147Saul Davis Zlatkovski
ParticipantI think of learning music as being like starting a relationship with a person. There are layers and layers, and time reveals many things. Even with hymns. Particularly the layers of associations and experience.
December 9, 2010 at 3:35 am #166148HBrock25
ParticipantHi !
I’ve just visited this forum. Happy to get acquainted with you. Thanks.__________________
Watch The Chronicles of Narnia: The Voyage of the Dawn Treader Online FreeFebruary 24, 2011 at 6:52 pm #166149aleksandar-djuric
ParticipantDear Saul,
what a fantastic post you wrote there.It is very reassuring to know that I am not on a wrong path when thinking that truly mastering a peace takes a lot more than one semester (4-5 months).
During my harp education, I was always pushed to work fast, and now that I have began my studies, even faster. And although this can be a good thing in terms of learning to adapt to situations and time limits, I always felt that a true mastery in performance is achieved through “fermentation” of the piece, after all the technical problems have been solved.
Glad to see I wasn’t wrong in thinking so!
February 25, 2011 at 12:35 am #166150Saul Davis Zlatkovski
ParticipantI was lucky to have a wise teacher, who did not believe a piece was done just because you had learned the notes. Put it away and come back to it. As many times as needed. And so I do.
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