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creating color in music

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Home Forums Forum Archives Professional Harpists creating color in music

Viewing 6 posts - 1 through 6 (of 6 total)
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  • #149822
    Maria Myers
    Participant

    Hello!

    I’m reading a book on music performance and came across a reference to creating “color” in one’s tone.

    #149823
    Misty Harrison
    Participant

    What is the name of the book you are reading?

    #149824

    Maria, in a general way, this information might help. Bowed string instruments might produce a different “color” of the very

    #149825
    Sherj DeSantis
    Participant

    A slightly different question…does anyone ever remember hearing that people with perfect pitch, hear and see the colors of a note? There is a young man of about 30 years old at our church who is a highly

    #149826
    catherine-rogers
    Participant

    That’s called synesthesia, where letters can have color, sounds can have color and colors can have taste.

    #149827
    unknown-user
    Participant

    Sherj,

    I would find that very interesting! I’ve always thought that synaesthesia is fascinating – but color and music aren’t just associated with perfect pitch, in the sense that each pitch is a different color. Some people associate different colors with different keys. Sometimes I think I have this… partly. Sometimes I swear that pieces that are in Eb major or minor are yellow, but I figure I music be fouling myself! BTW not all people with perfect pitch have synaesthesia.

    On the original question. I think there is a difference between sound timbre and sound color, and the two are confused because they are often used interchangeably. I understand sound timbre to be something like the sound of the oboe or the sound of clarinet. The two instruments sound different, and the difference is their timbres. A harp specific example might be the difference between regular playing and playing with the nails, or regular playing and harmonics, or regular playing and PDLT.

Viewing 6 posts - 1 through 6 (of 6 total)
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