Wof tones do occur with harps, they’re just not generally very noticeable. Every harp has a resonant frequency – on a long string with sustain the overtones may match that, producing the “wolf.” William Rees designs his harps with asymmetric sound boards for this reason, among others. Read his comments here:
http://traditionalharps.com/Why_Rees.html
Depending on the type of harp, attaching a small weight in the body near the offending string might help. Dusty Strings encountered this with Loveland levers; their solution was to drill a small hole in the cam and insert a small piece of lead, I think.
Biagio