featured in this issue

January-February 2022
(Log in to your Harp Column subscription account to download this issue, or subscribe now.)
departments
Reviews and more
featured in this issue
Interviews
We talk to Joan Holland, the consummate teacher, about her four decades teaching some of the brightest young talents in the harp world.
Feature
Nerves and anxiety can get the best of even the most talented musician. Find out how to handle on those stage jitters with proven, data-driven strategies
Feature
We’ve gathered nearly 50 programs for you to choose from for your summer adventure.

January-February 2022
(Log in to your Harp Column subscription account to download this issue, or subscribe now.)
Columns and more
Sounding Board
Finding community outside of your comfort zone.
Get Booked
A look at guideposts for discovery in the last installment of the series.
Advice
The best way to know if a tip jar is appropriate at a gig is to determine the situation. If you are playing in a restaurant, coffee house, or club, be sure to check with management first. Most patrons are accustomed to tipping in these environments and expect to see a tip jar. If you […]
Strange But True Harp Stories
A cue from thin air.
Reviews and extras
Recording Review
Pelléas Ensemble: Oliver Wass, harp; Henry Roberts, flute; Luba Tunniclife, viola. Linn Records, 2021.
Music Review
Melodies from France, Switzerland, and Ireland arranged for harp.
featured in this issue

January-February 2022
(Log in to your Harp Column subscription account to download this issue, or subscribe now.)
departments
Reviews and more