[Elizabeth L]

Jessica Wolff said, “I was taught Salzedo and couldn’t understand why some folks were making fun of me for it.”

Jessica, were they other harpists or

[Elizabeth L]

The book is

[Elizabeth L]

There’s a really good book by Sylvia Woods with that and other folk songs like that one.

[Elizabeth L]

Can you buy a copy of the score and learn it from there?

[Elizabeth L]

It will be much easier to learn if you get a teacher who is familiar with folk harp.

[Elizabeth L]

Why would you replace them?

[Elizabeth L]

For pay, or just because?

[Elizabeth L]

Where is the link, please?

[Elizabeth L]

If you don’t play with any other musicians and you don’t have perfect pitch, you could flatten your strings a little.

[Elizabeth L]

Mr. S,

You seem to have a fabulous repertoire.

[Elizabeth L]

How important are black keys on a piano?

[Elizabeth L]

That’s why they use a piano in music theory courses and not a harp!

[Elizabeth L]

Is it a gliss on the recording?

[Elizabeth L]

Read Harpo Speaks, his autobiography.

[Elizabeth L]

Don’t haggle the price.

[Author]

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