[Elizabeth L]

Wasn’t just the single action harp available at the time.

[Elizabeth L]

In Salzedo’s time, the harpist probably had expectations of playing recitals, orchestra, or opera, and maybe radio gigs.

[Elizabeth L]

Right.

[Elizabeth L]

The girl was asked to play, and she feels confident and competent.

[Elizabeth L]

You use gut in upper octaves?

[Elizabeth L]

The Lovely Wedding by Sylvia Clark.

[Elizabeth L]

Imagine a student sitting there telling Salzedo the music is boring.

[Elizabeth L]

I haven’t noticed any personal attacks or rudeness.

[Elizabeth L]

Who are they?

[Elizabeth L]

I didn’t notice the original post was so old.

[Elizabeth L]

Look up there.

[Elizabeth L]

The guy can’t sing his way out of a paper bag, but the harp was lovely.

[Elizabeth L]

Pedal for me.

[Elizabeth L]

Did you get a picture?

[Elizabeth L]

Why not use harp duets?

[Author]

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