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June 19, 2012 at 6:54 pm in reply to: Walter-Kühnen Eugene Onegin Fantaisie missing section? #145999
bob-litterell
ParticipantI type-set this publication for Salvi and I assure you that it is complete. I also have a different publication of the work on Safari Publications 1992.
bob-litterell
ParticipantHi Clinton,
Can you please send me your email address? I have a couple of questions to ask you about publishing. harpbob1@yahoo.com
Thank you and best wishes,
Bob LitterellFebruary 24, 2012 at 3:28 am in reply to: Accompaniment for concertos by Bob Litterell for 4string instruments #146500bob-litterell
ParticipantHello, I’m Bob Litterell and was wondering if you were able to find my arrangements? My 1st publisher (Alry) just sold their company to one based in Seattle, WA. However, the concerti with the string quartet reductions were all published by Lyon & Healy and should be available from them. The Parish Alvars Double Harp Concerto and the Paganini Centone di Sonate were published by Salvi and should be available from them. The new owners of Alry Publications has expressed interest in publishing more of my transcriptions, so hopefully there will be more soon.
August 22, 2011 at 11:44 pm in reply to: Fantasie Hasselmans in D flat majorfor Harp And Orchestra #147285bob-litterell
ParticipantI have a copy of the harp solo part from Kalmus; and also the harp and piano reduction from the original publication (Heugel).
bob-litterell
ParticipantYes, they are original to the harp part. Listen to the recording by Jana Bouskova; she plays the original harp part with the one-hand trill and the thirds in the left hand.
bob-litterell
ParticipantI do have a copy of the original and Boieldieu did not have the left hand thirds in any other instrument. This was done by harpists who added them to the string parts by hand.
August 21, 2011 at 5:50 am in reply to: What are the most harps that a symphony composer wrote for? #147534bob-litterell
ParticipantKhachaturian wrote a work called Ode to Joy for mezzo-soprano solo, 24-40 solo violins in unison, 6-10 harps (2 separate parts) chorus and orchestra. I have several recordings of this beautiful work and have had the score for many years. It was published in Moscow in 1964.
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