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barbara-brundage
Participant>t’s just that I often see here posts from people who plan to “move up” (I prefer the word “transition” myself) to pedal harp, and I wonder how many of us are more attracted to the folk instruments and their repertoire, and have no plan or desire to play the pedal harp?
But that’s what Tony is saying: what is the lever harp repertoire? It’s whatever you want it to be. People play all sorts of music without pedals, you know. To imply that it’s only suitable for folkies is doing it a disservice. You’re still implying that you need pedals for anything else.
barbara-brundage
ParticipantWhat Tony said!
barbara-brundage
ParticipantWow, how amazing and generous of them!
barbara-brundage
ParticipantI mean to leave the other fingers placed while you play the single strings. Sorry, forgot to mention that.
barbara-brundage
ParticipantOne way is to use your eyes as much as your ears. If you can see that one string isn’t vibrating or is vibrating much more than the others, that means you need to put in some more work. It helps to place the three notes and then practice playing each finger individually, too. Don’t always do this in the same pattern, like 321, though. Do 231, 132, 312, etc, as well.
barbara-brundage
ParticipantI don’t have it, Patricia, but it’s been on Sylvia Woods’s site for a while now.
barbara-brundage
ParticipantI would strongly suggest finding a teacher first. You may be able to rent a lever harp to start with, maybe even for the duration of time before you transition to the pedal harp. In any case, renting for a bit will give you time to develop a better sense of what kind of lever harp you want, if you do decide to buy one. Many teachers rent harps very inexpensively to their own students.
barbara-brundage
ParticipantFair enough. 🙂
barbara-brundage
Participant> If they really don’t let them know that as well.
Who can say this, Tony? I sure wouldn’t presume. I might tell a student that s/he would need to work much, much harder if they want to do this or that, but nobody can know for sure about students. I’ve seen too many amazing young harpists burn out early while others just keep plodding along and eventually get there.
barbara-brundage
ParticipantYes, the Fun from the First books are great, and very inexpensive, too.
barbara-brundage
ParticipantYou should tune the harp the way it’s meant to be tuned, and adapt the music if necessary.
barbara-brundage
ParticipantAnyway, mid-east manufacturing (link in my previous message) is the main importer, so you should be able to get a key from them.
barbara-brundage
ParticipantYes, that’s one of the latest pakis. Their new harps are all copies of Stoney End and other harps.
barbara-brundage
ParticipantThis sounds very much like a Paki. You could contact mid-east manufacturing (www.mid-east.com), or you could also try the new universal tuning key from Dusty Strings, although they are pretty expensive.
barbara-brundage
ParticipantAlso, as a first step, take the harp into another room. Often the buzz may be a sympathetic vibration coming from something else in the room. Rule that out first. If the harp still buzzes in another room, then the problem is something with the harp itself.
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