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Well, she’s done a lot of new stuff. I was there the first time she performed ‘Emily’, so I will always love that one. But my very favourite is ‘Sawdust and diamonds’. Its breathtaking! She creates this whole, weird, dramtic soundscape. If you want to hear any of these songs; go here http://www.fromamouth.com/milkymoon/
Oh dear. I hear a bomb ticking… Kelsea. Of course that was unprofessional. Find another teacher. One who can achieve what she wants to achieve gently and with professionalism and care. Without using words like ‘horrible’. It’s not right. Seriously. You don’t need to bother with this hyper-dogmatic
Oh dear. I hear a bomb ticking… Kelsea. Of course that was unprofessional. Find another teacher. One who can achieve what she wants to achieve gently and with professionalism and care. Without using words like ‘horrible’. It’s not right. Seriously. You don’t need to bother with this hyper-dogmatic
Oh Kelsea. I am completely HEAD OVER HEALS in love with Joanna Newsom!! Check out my blogs and you see!!….
My teacher is something of an early music specialist, having reocrded this piece with the Brandenburg consort. So, we use the origingal (i.e, I use Barenreiter, she uses the ORIGINAL original) and we added our own ornamentation, filled in chords and figured bass. The 2nd movment was particularly fascinating to work on.
It is so difficult though. I find it hard to believe that audiences are actually becoming MORE sophisticated. Society is getting more and more visual, fast paced, frenetic. How many people will be making the distinction between those playing “La source” and those playing “structure for harp” ? Not many. I for one enjoy recitals where I am invited to be
Hello to Australia! I am 18 and live in the UK. You have a beautiful harp! I need something more modern, mine is ancient! Can’t seem to part with it though. Anyhow, my e-mail is ; alexr_harps@hotmail.com
I used my thumb to support my second finger in the repeated octave sections in the Dussek. I probably should have made that clearer. I do thnik it really helped me then.
I have to say Carl, that I used my thumb to support my 2nd funger, when I started playing the Dussek sonatine in F-major. It gave me a sense of security. I, didn’t maintain it of course, becuase my 2nd finger had gained strength. A
I remmeber I once took a huge leap, and I learned well from it. I cannot say that this is always the best thing to do at all, but here is my story. When I left
