Home › Forums › Forum Archives › Professional Harpists › Very advanced classical rep for lever harp
- This topic has 25 replies, 12 voices, and was last updated 16 years, 3 months ago by
Elizabeth Volpé Bligh.
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AuthorPosts
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May 2, 2010 at 3:23 am #150319
kathy-chanik
ParticipantCynthy, I also love Janet’s version of
May 6, 2010 at 3:15 am #150320Saul Davis Zlatkovski
ParticipantSome of the movements of Hovhaness’s Suite can be played on a nonpedal harp. Perhaps the most outstanding work of all is Alexandre Tcherepnin’s Quatre Caprices Diatoniques. Lou Harrison composed several pieces for nonpedal harp. Salzedo has many that can be played on nonpedal harps, especially a larger one, such as a Prelude.
May 6, 2010 at 12:38 pm #150321barbara-brundage
ParticipantYes, Hovahness’s Garden of Adonis for flute and harp works beautifully, too. You just set the levers ahead of time.
There’s a great deal more stuff available than there was when this thread began.
One caution about some of the exam syllabus pieces–a lot of the more advanced lever harp music arranged by European teachers requires tuning in four flats.
May 6, 2010 at 6:08 pm #150322Rachel
ParticipantThanks for mentioning that Barbara.
May 6, 2010 at 6:11 pm #150323Rachel
ParticipantWhich of the pieces that Saul mentions require 4 flats?
May 6, 2010 at 6:50 pm #150324barbara-brundage
ParticipantI’m not talking about Saul’s recommendations. I was referring to the pieces on the exam syllabi, like the ABRSM and the Trinity syllabus.
May 6, 2010 at 8:27 pm #150325Tacye
ParticipantI had not come across four flats as a tuning in England, but it does seem moderately common in Scotland.
May 6, 2010 at 10:38 pm #150326barbara-brundage
Participant> It isn’t that hard to switch back and forth.
Gotta disagree, to some extent. It’s annoying as all getout to listeners when you’re constantly retuning, and if you’re playing advanced classical music you’re for sure going to run into situations where you need D#, unless you don’t play any pieces arranged by Americans.
I’d have to agree that with good levers four flats is a good tuning–I wish I’d gotten used to it early on, since it would make accompanying cantors at Jewish weddings infinitely simpler (f minor is a very standard key)–but it’s also visually confusing when you’re making fast lever changes and you’re used to seeing one thing then suddenly it’s different. And the harp isn’t pleased, either. It’s not going to stay perfectly in tune when you suddenly change the tuning.
May 7, 2010 at 12:56 am #150327patricia-jaeger
MemberTake a look at Haru no Umi for flute and harp by Michio Miyagi, arranged by Josef Molnar. This is the last 10 pages of
May 9, 2010 at 3:48 am #150328Saul Davis Zlatkovski
ParticipantJewish music is usually in d minor or a minor, so you might have a transposing cantor. And there are some who transpose while singing.
May 12, 2010 at 6:40 am #150329Elizabeth Volpé Bligh
ParticipantThe new Royal Conservatory of Music Harp Syllabus is available online and has lever harp options in the advanced grades.
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