Non cliche music for harp?

Posted In: Repertoire


  • Participant
    sarahharper on #224657

    So after a while primarily playing my own music, I’ve started to get back into playing classical. And I realize that I actually hate a lot of my old repertoire. Would like very much to learn some music for harp that CANNOT be accurately described as “soothing”, “angelic”, or “whimsical”. Like, we are so much more than that! Where’s the angry harp music? The epic harp music? The hauntingly passionate harp music? Etc… Can anybody help me out? Looking for sheet music recommendations. Any time period ok, harp arrangements of music for other instruments ok. Just as long as its solo.


    Participant
    wil-weten on #224660

    Ehm… I think I dont’quite understand what you mean with ‘non cliché music’ for the harp, but the way I see it, whether a classical piece of music sounds cliché has more to do with the way it is played than the way it is composed.

    Nonetheless, I think you are looking for a little bit variety in your repertory. Perhaps you like the way Deborah Henson-Conant plays and arranges pieces.


    Participant
    Tacye on #224661

    Lever or pedal and what standard? Bernard Andres would probably be worth exploring.


    Participant
    Philippa mcauliffe on #224662

    Which ones exactly do you hate? Salzedo’s originals are not whimsical, soothing or angelic. Scintillation, Ballade, Whirlwind? Elena Kats Chernin’s Chamber of Horrors. Hindemith. Crown of Ariadne. Britten Suite. Peggy Glanville Hicks sonata. Paul Patterson’s insect things. Many/most Baroque works. Spanish transcriptions. If you watch a recital by a great “classical” soloist like Sasha Boldachev (very good one on you tube) it might include “soothing” pieces like the Chopin Etude no 1 op25 but they are also haunting and passionate and it will have “epic” things too including his own arrangements of Red Hot Chilli Peppers and Petrushka!


    Participant
    Gretchen Cover on #224675

    Certainly your post had a lot of cliches and is unclear as to what you want to play. I would suggest you listen to harp music on YouTube to get an idea of what music you are seeking. Spotify is another good source. Maybe if you can be more specific on your likes and dislikes along with your playing level and type harp you play (pedal, lever, double-strung etc.), it would be easier to recommend music.


    Participant
    Biagio on #224687

    Gretchen’s suggestion is a good one, i.e. listen to a number of different genres – a lot are on Youtube, then home in on sheet music. Soothing seems a bit vague to me but here are a few pieces and players that are definitely not part of the classical repertoire but sound great on the harp: Jonathan Fanagiello (heavy metal, Frank Voltz (Jazz), Alfredo Rolando Ortiz (South American), Deborah Henson-Conant (Blues), The Harp Twins (Pop).


    Participant
    Alison on #224690

    Well this isn’t clichéd, listening and watching a teenager play Ravel’s Jeux d’eau on the piano yesterday made me assume it would be impossible on the harp but no, Varvara Ivanova and Oliver Wass have done it and Oliver was interviewed here in harp column in 2016.


    Participant
    Evolène on #224693

    Hello Sarah,

    You seem frustrated by the harp repertoire but I, like many others, feel that these critics are not warranted. For sure, when you take the whole range of instruments, people are going to think that harp music is more “angelic” than drums. However,like you said, harp music is much more than that.

    Like others above have said, some artiste like Sacha Boldachev alternate classical piece with pop music. Here at 1h22mn in, there’s punk.

    I would argue that a lot of harp music cannot be described as “whimsical” or “soothing”. Most of the classical of Celtic repertoire can be adapted in many ways. Jigs and reels, of with there are plenty, are not “angelic”.

    As for “Epic Harp Music” or “hauntingly passionate harp music”, well.. that is a question of interpretation rather than actual repertoire. There’s a lot of

    Omnia is a Pagan Folk band and their harp is not always whimsical : here, the song Tine Bealtaine.

    Other metal pagan bands have included the harp in some way, like Eluveitie.

    I believe that you are asking for something different with the harp :

    Tristan le Govic Trio is a great example of jazzy music with harp :

    Definitely look into them.

    Others have mentioned Deborah Hanson-Conan. You can also look into Cécile Corbel, but that might no be the style you are looking for.

    Please give us feedback concerning the different artists that have been recommended to you so that we can understand your frustration better.


    Participant
    paul-knoke on #224714

    If you’re a moderately advanced pedal player, take a look at Meyer Op. 4. This is from the height of his “Sturm und Drang” period, and while the music is fascinating and beautiful, it’s very far from either clicheed or angelic!

    https://www.utorpheus.com/product_info.php?cPath=841&products_id=667


    Participant
    radenwa on #226780

    Gramatik’s “Illusion of choice” has two simple harp parts that I could play by ear. It is kinda challenging because the notes jump around the entire 5 octaves of the harp, but it’s a fun thing to play to take a break from the cliches.

    There’s also a harp version of an old Newgrounds techno song that works surprisingly well :

    While it’s pretty clear the song wasn’t written for humans to play, there are still some simpler part that I could play (1:07 is my fave) , and the rest of it, when simplified might also be possible to play.

    Aside from the aforementioned folk, celtic and jazz, I have a feeling that there’s a massive potential for harps to fit into the techno/trance genre with its cool arpeggios. But alas, I’m just a beginner enthusiast so I wouldn’t be starting a new harp genre movement anytime soon.


    Participant
    Biagio on #226791

    An interesting thing to do: put aside music written specifically for the harp and focus on what you like in other genres and/or instruments. For example, two pieces I rather like are “Heart of Glass” by Blondie (Debby Harry) and “Memory” from the film Departure, composed by Joe Hasashi.

    At first glance one might never consider either as a harp solo piece but they both sound great when played that way. Neither is particularly complicated’ while lending themselves to interesting harmonic improvisation.

    Biagio

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