modern harp effects

[unknown-user]

The video with Lucile Lawrence and Elizabeth Morse, in which she explains and demonstrates is perfect for your question. It is available for sale from harp retailers like harp.com I’m pretty sure.

The other place I could recommend studying in would be Israel-that is the closest country to you.

[unknown-user]

hello dear friends harpists, any body can answer me if there is a

video tape or dvd where a harpist play the modern effects with

examples and explain it???????

thank you

[unknown-user]

I was doing some searching on the internet, and I found a very nice
explanation of most of B. Andres’ effects on Isabelle Perrins website.
It even includes some videos of how to perform some of the odder ones.
It is this right here. The document is in PDF format, if you would like
to print it as a cheat sheet.

http://www.isabelleperrin.com/en/perrinFRM8.htm

Hope this helps.

[patricia-jaeger]

Hello,

[unknown-user]

hello patricia but where can i get this book, is it offered on the internet?????????

[unknown-user]

HEELO MARK YOU KNOW THE E MAIL ADDRESS YOU GAVE TO ME CANT BE FOUND, DONT KNOW HOW TO GET IT:((

[patricia-jaeger]

Hello Basel Sara, I am sorry the Inglefield /Neill book is so hard to find. It is in

[unknown-user]

That’s strange. Are you trying to actually send an E-mail to the location? It isn’t an email address. Just copy the link into your internet browser address bar. I just tried it, and it worked fine.

[unknown-user]

HI MARK THANK YOU I

[unknown-user]

Most of those are covered in Lucile Lawrence’s videotape/dvd. I hope you can get a copy soon.

[unknown-user]

hello mr davis , tell me exactly the email address please , so i can contact with them.

[carl-swanson]

Modern harp effects? If you’re referring to the stuff that Salzedo wrote, it was written mostly in the 1920’s, which makes it almost 90 years old! Salzedo is now as ‘modern’ as Hindemith, Ravel, and Debussy. The ‘effects’ that he created are really just 15 ways to play a glissando. A simple written explanation should suffice whenever a non-standard written symbol is used in music. Is it realistic to expect anyone who plays this stuff 100 years from now to buy a video tape from Lyon & Healy to figure out what the symbols mean?

[unknown-user]

hello i dont see any problem to get the tape if i can , i need to know more and more……………………………….

[unknown-user]

sorry it will be more nice if i find also a tape of

[unknown-user]

I am pretty sure that the video/dvd is available from harp.com. As for
Salzedo, he was a man of his times, the Modern era. His notation is
quite clear, and is much more than just “glissandi” if you read his
Modern Study and Method. What is conveyed by seeing and hearing is the
best tone quality that the effects can result in. What is interesting
is how fresh and modern and appealing his music sounds today, as it
grows and grows in popularity. His notation succeeds largely because it
is so well-thought out and well-designed. And his sounds work well in
the hands of others. He was not the only composer able to use them. Nor
was his young friend Marcel Grandjany.

[Author]

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