I’ve been booked to play harp for the ballet “La Sylphide” with my state orchestra, and I am having a horendous time with the piu vivo A major section, in “The Sylph Scene- Divertissement”. The stretches in the left hand are quite wide, and there are section where the hands need to use the same strings successively, and it all goes at a fantastic speed! I’m hoping this is one of those parts where some harpists may have tricks, or arrangements they use to make it more playable. I’m wondering if some of the left hand could be left out? Any suggestions?
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