Home › Forums › Repertoire › Identify this piece for me?
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November 27, 2014 at 9:22 pm #183760Janis CorteseMember
I’ve bookmarked the time in this video, a masterclass by Catherine Michel, where this piece is played. It’s a beautiful set of variations in Am:
I’d love to adapt it for piano at some point. I’m nowhere NEAR where I’d need to be to play it on a harp, of course.
Thanks for any information!
November 28, 2014 at 12:30 am #183761patricia-jaegerMemberJanis, there is a traditional Ukranian folk song called, Minka, Minka, and there are several groups that sing it, on YouTube. Some arranger has taken this same melody and changed the rhythm from simple eighth notes in 4/4 time, to a dotted rhythm and made it into a short piece for the harp. It may have a new name in that form, just as has happened with the American folk song Aura Lee which Elvis Presley sang as “Love Me Tender”. “Full Moon and Empty Arms” is now sold as a popular song but we know that same melody is from Rachmaninoff’s Second Piano Concerto. This happens.
November 28, 2014 at 11:40 am #183765Janis CorteseMemberI hope someone knows who the someone is … I’d love to chase this sheet music down. The student in question continues on with multiple variations on this during the course of the masterclass that are all wonderful.
November 28, 2014 at 12:20 pm #183766Donna OParticipantJanis here is a link to an easy piano version . You may be able to adapt for harp. http://www.sheetmusic2print.com/Beethoven/Russian-Folk-Song-107-7.aspx
Also the complete score here. http://imslp.org/wiki/10_National_Airs_with_Variations_for_Flute_and_Piano,_Op.107_(Beethoven,_Ludwig_van)
November 28, 2014 at 4:12 pm #183768patricia-jaegerMemberThanks to Donna O., for providing the link to inslp where can be found the information that Beethoven also used the Minka, Minka melody with his own variations, keeping the rhythm of the main theme intact, however. See No. 7 below:
Composer Beethoven, Ludwig van
Opus/Catalogue Number Op.107
Movements/Sections 10 pieces
Air tirolien (“I bin a Tiroler Bua”)
Air écossais (“Bonnie Laddie, Highland Laddie”)
Air de la petite Russie
Air écossais (“St. Patrick’s Day”)
Air tirolien (“A Madel, ja a Madel”)
Air écossais (“Merch Megan”)
Air russe (“Schöne Minka”)
Air écossais (“O, Mary at thy Window Be”)
Air écossais (“Oh, Thou art the Lad of my Heart”)
Air écossais (“The Highland Watch”)
Year/Date of Composition 1818–19
First Publication 1820
Piece Style Classical
Instrumentation Flute (or violin), pianoNovember 29, 2014 at 9:28 pm #183772Janis CorteseMemberThanks, everyone! Looks like I’m working up my own versions. 🙂
There are a couple real gems in this masterclass, too — I can understand French well enough to just barely keep up, and I found it very useful when she told that kid playing the Am variations to maintain the fingers as low as possible and use the thumb as a pivot, and also that while dogged by tension in her wrists and elbows, she found it useful to simply imagine that she had no wrists nor elbows but just two disembodied hands flitting around on the harp.
I’m finding keeping that low-ish reach and a relaxed hand to be the most important things so far. ANY tension in my fingers, and I’m hosed.
November 30, 2014 at 10:20 pm #183786Saul Davis ZlatkovskiParticipantI’ll just say you should have NO noticeable tension when playing the harp, ever. I would say that pivoting just transfers tension to the thumb.
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