Favorite Examples

  • Participant
    Saul Davis Zlatkovski on #151958

    What are your favorite examples of good and bad harp writing? What do you want composers to know about the harp? This is for a project I am developing.

    carl-swanson on #151959

    Oh my God Saul, one could write a HUGE book about this. That’s far too complicated a question for a Harp Column post.

    Mel Sandberg on #151960

    Please leave out the chords with stretches that only Liszt and King Kong could do.

    Camilla Pay on #151961

    I think understanding pedalling is most important for composers until we genetically modify harpists to have 7 feet, it can make pieces really impossible even with careful use of enharmonics

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