Home › Forums › Harps and Accessories › Dark sounding first harp?
- This topic has 10 replies, 8 voices, and was last updated 14 years, 6 months ago by holly-kemble.
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September 10, 2009 at 4:43 am #75741Donna PickParticipant
Maybe a harp is not the instrument I need, but I’ve always had this dream of playing a small harp.
September 10, 2009 at 2:34 pm #75742tony-moroscoParticipantDark is subjective. The range of the
September 10, 2009 at 4:19 pm #75743barbara-brundageParticipantIf you are going to have lessons, I’d start by finding a teacher. Lots of teachers have harps to rent inexpensively to students and once you’ve been playing a bit you’ll have a better idea of what you want in a harp sound, and whether you even like the sound of any small harp.
September 10, 2009 at 5:38 pm #75744william-weberParticipantA folk harp seems to be what you seek. As was observed by others, darkness is relative. Darker sound comes from a big deep soundbox.
September 10, 2009 at 5:40 pm #75745Geri McQuillenParticipantI’m not really sure from your post how small a harp you are thinking about, but I bought a Denwar Chieftan a couple of years ago, 26 nylon strings, concert spacing.
September 10, 2009 at 6:15 pm #75746sherry-lenoxParticipantI don’t know where you are, but there’s a Troubadour at Virginia Harp Center that sounds like chocolate and plays like a dream. It isn’t small though.
September 10, 2009 at 7:14 pm #75747Karen JohnsParticipantMusicmaker’s offers their Limerick model- a 26 string lap harp- with optional low C tuning. This harp packs a lot of projection for it’s size, and in my
September 10, 2009 at 8:26 pm #75748tony-moroscoParticipantYes, I prefer (generally) the sound of gut over nylon. However I do string both my lever and pedal harp with nylon in the upper octave. Not so much because of breakage issues, but I find I get more sustain and a clearer tone with nylon on those very thin strings. But for the rest I’m gut all the way (except my electric which uses carbon strings).
Some harps have no problem going from nylon to gut and others can’t do it. Gut produces more tension so it depends on how the harp was built. Always check with the maker to see if it is possible to switch out without danger of hurting the harp.
As for breaking I’m not sure how much of a problem that is. I so rarely break a string no matter what type. The advantages of living in a fairly constant climate.
September 10, 2009 at 8:36 pm #75749Karen JohnsParticipantThanks for the quick response, Tony! One more question: How far above middle C do you go with your gut strings?
Karen
September 10, 2009 at 8:45 pm #75750tony-moroscoParticipantThrough the second octave E. From first octave F and up I use nylon.
September 10, 2009 at 9:31 pm #75751holly-kembleParticipantWelcome to the wonderful world of harps and harp music! You will enjoy this ride very much.
I also prefer darker, fuller tones. My harp is an Aberdeen Meadows from William Rees Harps in Rising Sun, Indiana. This harp has 36 strings and the low note is C two octaves below middle C. The tone is dark and rich in the lower strings without being muddy, and the upper range just sings……never with a ‘plinky’ sound. (Is ‘plinky’ a word???)
I also *really* like the 32 string Irish harp from Craig pierpont at Another Era Lutherie in Edmonton, Kentucky. It hyas 32 strings, the lowest is the E,
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