My experience was limited to this: I was booked by the New York office of Cunard to perform on the QE2, transatlantic round trip. I had the choice of that or the Nova Scotia route up and down the coast.
That sounds like a very interesting experience. A few questions… where did you put the harp when you were not using it? Where did you practice? How long did you practice for? How many ports that you were docked at did you get to go out in total?
There always seems to be a classified ad in the back pages of International Musician magazine, requesting readers to play on cruise lines. This magazine is only received by professionals, members of American Federation of Musicians.
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