Re: Unplayable Harp Parts

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I would add a point which doesn’t directly concern unplayability, but which makes a work for harp sound great or disasterous…. I’m referring to the overtones… One of the main reasons I dislike playing Classical works… especially the type of continous patterned base accompaniament (not necessarily Alberti base) but with no place to damp anystrings, and the melody flowing above… by the end of a phrase you get all Tonic, Subdominant, Dominant and Supermediant, just to give a clean example sounding in each other…which makes it sound quite ugly in my mind as colourwise.