Start at the top or bottom, whichever you prefer, and bring each string up to pitch or even a hair sharp as you put it on. I like to start at the top since the first octave nylons take the longest to hold pitch. As you work your way down, continue to tune each string you’ve already changed in addition to the one you just put on. Wires hold their pitch quicker than the rest, as you know, so I leave them for last. Tune it every time you look at it or walk by it. Have fun!

In this case I would start in the middle, and go down, then back up – one string at a time. My rationale being that I don’t want to stress the soundboard any more than necessary and the greatest stress is from the fifth and sixth octave down. So I also keep those lower frequency strings about a whole step (or more) below the actual pitch on the first pass, especially the wire core ones.

Sorry to come in late on this one:-)

Biagio