Saul Davis Zlatkovski

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Viewing 15 posts - 1,771 through 1,785 (of 2,811 total)
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  • in reply to: new Salvi technology #74629

    Orchestral players are getting louder and louder. The young string players I hear are playing as loud as they can, so once again, the harp is getting drowned out. I have always held that harps reached perfection in the 20th century, so I am at least skeptical if not dubious of recent and new changes.

    in reply to: solid wood soundboards vs veneer #74647

    The veneer protects the precious sounding board from injury, things falling on it, etc. It also adds another layer of resonating material as well as a better appearance.

    in reply to: new Salvi technology #74626

    This poses some questions: do we need a louder harp? Do all harps need to be louder? How does this affect playing? What do other musicians think of it? I know one orchestral player who doesn’t like loud harp playing (of course, she’s not in the audience).

    in reply to: new Salvi technology #74625

    Harp manufacturers have been experimenting with incorporating Kevlar or like material in the neck and sounding board, as I understand, and the extensive research required was in finding glues that would resonate properly as well as hold the layers together. This increases the structural strength of the harp. I don’t know what the resonating qualities are of this material. It is synthetic, not wood.

    in reply to: Opening Pieces #150587

    I have decided to go with C.W. von Gluck this year. What a wonderful composer.

    in reply to: Stringing Us Along #71995

    That’s the first I’ve heard of Salopian. Where are they based?

    in reply to: Able Assistant Harp Cart #74050

    I didn’t notice that, but always thought it could be done, and should be, as we have literature that calls for an A, and I want to be able to write for it. Adding another string to the harp would definitely renew interest in it. A 7th Octave B would also be very useful and is also needed for some pieces.

    in reply to: Smaller Harps? #74659

    I am definitely more comfortable playing a harpsichord than a piano, it has the same spacing as the harp.

    in reply to: Aoyama Strings or Vanderbilt? #74663

    I meant the manufacturer.

    in reply to: Best archive of harp sheet music? #150639

    You can find a few works at Imslp.org, but not a lot of great value, except for orchestra parts. The only other site I use is WernerIcking.

    in reply to: Harp technique #150659

    I didn’t answer because I didn’t feel the wording was an accurate reflection of the technique. A is the closest.

    in reply to: Suzuki Harp #83993

    As Miss Lawrence used to say, “Monkey see, monkey do.” Imitation is one of the most powerful learning/teaching tools.

    in reply to: Suzuki Harp #84706

    As Miss Lawrence used to say, “Monkey see, monkey do.” Imitation is one of the most powerful learning/teaching tools.

    in reply to: Suzuki Harp #85216

    As Miss Lawrence used to say, “Monkey see, monkey do.” Imitation is one of the most powerful learning/teaching tools.

    in reply to: Aoyama Strings or Vanderbilt? #74661

    Who is Aoyama’s string supplier? You should ask them.

Viewing 15 posts - 1,771 through 1,785 (of 2,811 total)